Category Archives: oil painting

2018 a Productive Year Part 3

Original photography by artbygordon and text by artbygordon-image from Lake Ray Hubbard

It’s been a productive year but it’s also been very stressful. Chasing after your passion can be very intimidating, it is not the norm and it doesn’t fit into the stereotypical life.

Many times you are out on the limb but actually you are doing what you always said you would: daring to embrace the extraordinary life. The freedoms I have experienced this year have allowed me to find great bits of nature all around the DFW area.

Puddle outside in April: Original photography by Artbygordon

2018 I feel like I have truly found my niche. Nature has always been my inspiration but I am find more options for not only the light interaction but abstract patterns. April brought the rain and I was out finding images to capture.

Original photograph from Parkhill Prairie in Blue Ridge by Artbygordon

I have truly become a solo hiker and have spent much time finding excuses to go back to the places where I used to run insurance appointments. It is a liberating feeling to be able to photograph and explore alone and having much time to reflect on what exactly a photo by Artbygordon looks like.

I am increasing my interest in finding light in the bleakest days. There is no time or place where the richness of light speaks to me than when it is unexpected.

I finally made it to the Frank Buck Zoo. I’ve also had many trips to Hagerman National Wildlife Refuge, Parkhill Prairie, Sulphur River and the Caddo Grasslands in northeast Texas.

Every place I visit I find new nature subjects and learn more about their habits. I watched cliff swallows dig for mud on the sulphur river and watched them build their nests while I searched for fossil Belemites.

Sulphur River from the river bottoms, original photography by artbygordon

This whole year has been a learning and growing experience for me, staying up to date with video, graphics and even 3D imaging, I continue to grow my craft while exploring avenues in Photography.

I Illustrated my first children’s book with R.L. Clayton. I have also worked with a local leader to get her marketing materials for her new church she is gathering: It has truly been a blessing as I continue to grow my small but loyal group of clients.

Ennis Bluebonnet Festival original photography by artbygordon

I got back to the Bluebonnet trails in Ennis and the bluebonnets were quite amazing. It’s amazing how many people go down to see the spectacle, the hardest task was not to let the people steal the show. It was a wonderful afternoon.

April and May were busy as I continued to work freelance while traveling to places to gather photography. The brand is growing and I am developing the look and feel of the site.

The one thing that has never changed and will never change is my interest and passion for nature. It is my solace and keeps me grounded. I am planning on traveling much more in 2019.

Artist on the Edge of Surreal: Exploring Darker Moments

Depression: An Emotional Storm

My intention has always been to create art that was realistic and once I attained a certain skill level I would just tweak reality, just enough to make the viewer a little off kilter.

It probably stems from years of depression which, although is part of the creative process, also makes the person feel off center. The paintings that approach surreal are a bit more dark but nothing too obvious.

Moonflower is a painting of the morning glories, moon flowers, which only bloom at night. I wanted to share a bit of the darkness and mystery of evening but I wanted the flowers to have a bit of a magical feeling to them.

The willow tree is a tree from my youth. It makes it into most of my paintings and is a bit of a symbol of time spent in New Jersey. The dark green lawn in the summer beneath the shadows of tall dark willow trees.

The same trees were struck by lightning and ended up becoming outdoor furniture where many of my very old poems were written on copied on.

The Grackles 2018

Blackbirds are a consistent subject in both my paintings and writing. They are mysterious as the night sky and symbolic of impending doom.

Halloween 2016

Alone in Wylie


Halloween 2016

Halloween has always been a subject as every year I see a different feeling to capture. I love the dark evening and the idea of goblins in the trees, I have always been a big fan of horror movies and my uncle used to buy my brother and I horror comic books and the feeling and thrill of being scared has continued through my writing and painting.

Child of Ten

Child of ten is a diary of sorts, my dad died when I was ten. This is a painting of the effects of losing a parent at the age of ten. There are many symbols including the egg which represents the soul. Again the blackbirds are in the field and the child watches the future unfold.

The death of my father was a catalyst for much of my earlier writing and has only recently shown up in paintings.

Grandfather’s Willow

This painting is from a dream when I was very young. My grandfather came out of a willow tree as the lightning hit the tree. The red flannel shirt is from the dream and I remembered the shattered bits of wood-I am planning on another attempt at this painting as the face wasn’t quite correct.

Many older painting ideas are now resurfacing as I begin to gain more confidence. I plan on creating a more concise series on the surreal side.

2018: A Productive Year in art and Photography, Part 2 of 6

East Texas in early March, just as the redbuds are blooming Artbygordon 2018

In the beginning of 2018, with a little bit more freedom, I began to explore more places to find nature. Some of the places I visited are the Cedar Ridge Preserve. I began to seek out any place I could find even a hint of nature and mapped out several wonderful hikes very close to Dallas. For  more information on the Cedar Ridge Preserve.

Plum blossoms isolated Artbygordon

February and March found the artist seeking colors and light and instead I began to discover patterns in nature. I aimed to isolate light and shape even when the light was flat.

Screech owl from the Backland Prairie Raptor center first Saturday Artbygordon 2018

I made my regular visit to the Backland Prairie Raptor Center and learned more about the Backland Prairie and its importance to Texas and the DFW area. They open to the public first Saturday of the month and I always try to visit.

Pond near Parkhill Prairie in Blue Ridge Texas Artbygordon 2018

Talking with the naturalists I learned about another favorite place of mine, the Parkhill Prairie in Blue Ridge, Texas. It is like going back to a place in history where the wind cries across the pristine planes. I watched hawks sore and songbirds in the native environment-it was a wonderful trip and a need grounding for me. It is a wonderful remnant of the backland prairie.

Passionvine isolated Artbygordon 2018

 I finally got to the East Texas Alligator Farm and Park. It was an enjoyable visit and something I have been planning for many years on so many drives out East. I plan on finding those out of the way places and writing and photographing about them.

A Productive Year: 2018 Part 1 of 6

2018 started off with my decision to quit selling insurance and start doing creative projects full time. It has been a very productive year and the elements of this year will shape the future look and feel of all of my work.

Original Oils on Canvas for 2018

My oils have been a collection of snapshots of the road as I put 50,000 miles on my new vehicle. The images are of the hawk surveying a field and mallards along the side of the road. There are actually 4 or 5 more images that I haven’t even started but are on the list of paintings to create. The images include a tractor, cattle and other country road images.

I finally finished the series of swallows. There are 3 in the series and this final image is the celebration. It is the smallest of the group and yet the most birds, the  name of the painting is the celebration because the drought is finally over, it looked as if the swallows were swarming in celebration .

The colors a bit more vivid than in the past as I bridge the gap between realism and impressionism. Future paintings will be more about light and darkness than the image itself. I am also trying to get back to water and the reason why I started painting it in the first place. Back to the basics of clarity and the richness of colors.

I showed for the first time in Opa in Rowlett as of September. I sold one painting and there are 6 paintings still showing until the end of the month. All the new paintings will be included on the website as I move some of the older ones to archive. 

Original Pastels on Paper for 2018

I created these pastels again from snapshots on the road. Each one was created within one sitting both from memory and preliminary sketches.

My style has become a bit lighter and more comfortable with details in some places and relief in others. I also blur the image a whole lot less than I used to.

I am excited about finishing up some of the older snapshots and the immediacy of the pastel promises quick rewards. Some of the pastels will probably become larger more defined oils.

Photography for January-February 2018

January began with a feeling of freedom and exploration. Multiple trips to local nature places brought photography of all different aspects of nature.

Many of these photos have become the initial inspiration for the artist window, which is a collection of objects from nature.

I am more aware of light than I ever have been. On a flat day of gray light with little character, I have learned to isolated objects and find beauty from the bland afternoon sun.

I am also getting more interested in the still life which also lends itself to the artist window series. I have become a collector of leaves, pine cones and even a magnolia seed pod I found.

I am more interested in patterns and colors and the way they react with light. I have also grown more excited about abstract images and am continuing to see abstract patterns in nature.

This is the first installment of 5 more posts that will include travels, writing, contests and more months of photography.

Celebration: Third in a Series of Paintings of Swallows

Birds are not only a passion of mine they represent nature and often are the most accessible species in the suburban backyard. I remember going to my grandmothers’ in Orange New Jersey-out of the a concrete landscape of the city there were birds, not many but enough to offer some nature amidst concrete.

Over the years of writing and painting, certain birds have become symbolic in my work. The two most prominent are blackbirds and owls but recently the swallow has sparked my interest.

There is a song by Sparklehorse called the pain birds and on the album Good Morning Spider is a swallow. The first in the series is actually called the painbirds and it was during a time of great upheaval in my life.

The painting sat on the wall unfinished for more than a year, just the bridge and the water. I knew it was going to be swallows but I just couldn’t decide how and where the birds would appear. Next came the purple passion vine, a very religiously significant plant that I collect, all of these elements finally gelled and the Painbirds was born.

The second in the series came about with a lot less symbolism. I focused more on the relationship of two birds on a wire and the landscape that expanded behind them. Again, it sat unfinished for a long time as the image came together.

The problem is that the initial idea is filled with excitement and direction but after some time the overall details fade. This is why I can’t paint when I feel like painting, it seems you either see the details and textures and the way they need to be rendered or you don’t.

Birds on a Wire was the second in the series and it was just as large as the first one. Notice the change in colors, the richness and warmth replaces the cools and somewhat melancholy of the pain birds, it was a bit more comfortable time in my life and I believe I was much happier. The sunset does have a bit of symbolism of change and the possibilities of tomorrow and becoming comfortable with things ending.

The last in the series is the Celebration. I watched as the recent drought ended and Lake Ray Hubbard was full again, the swallows swarmed the bridge as if they were celebrating the end of the drought. It is the smallest painting of the three with the most birds.

It also marks a time where I am getting back to water at its simplest aspect. I wanted to get back to the way I used to paint water. I have recently departed from the clarity and depth and explored bright colors and reflections. I am going back to the basics and why I started painting water in the first place.

I have several paintings in the works, one is of grackles, another of egrets, I am getting back to studying nature with more depth and understanding. I am also working on some abstract images that are a bit less about nature and more about the human condition.

Stay tuned and please let me know which of the series you prefer and why.









Afternoon Sun: Oil on Canvas

As the sun fades from the backyard and the birds all take their places on unseen perches, the last bit of light paints the trees against the house.

It’s almost like a stain-glassed window as the light filters through spring leaves. I have been watching this for many seasons and have had the idea on my easel for many years now.

I was interested in the richness of fading afternoon sun. I love the shadows of blues and greens reflecting a coolness in the midst of an ending day. This is the third in an upcoming series of paintings coming off the easel. Stay tuned.









The Watchman: Red Tailed Hawk

This image was inspired from the East Texas Roads, I was selling insurance. I got to enjoy a lot of mileage and gathered a lot of inspiration for paintings.

I finally got a chance to paint. It was a stormy afternoon as you can see from the remnants of a swollen stream in the distance.

I got more information and sketched more on a trip to Hagerman where there are always hawks patrolling each fence row. There are a  lot of red tailed hawks and I consider them the watchmen of the meadows and fields.

Oil on Canvas 2018 ArtbyGordon









Finishing Paintings: A New Series Finds Closure

This painting was inspired by a ride in East Texas. I liked the grouping
of the drakes and the females looking on. It was a quick snapshot that turned into a long process of capturing a cool autumn day.

Since I started the painting, there have been many starts and stops. I have also had several times studying mallards at a local park to get the personality and eyes right on the males.

I aim to capture that relationship between characters in nature. When I go and study the ducks, they always know I’m there, they just keep their comfortable distance.

I was also aiming for the dark colors of autumn but the warmth of light on the reeds and the shiny green heads of the males. This is the first in the series, tomorrow I will have another I just finished: A hawk from a fence near Hagerman Wildlife Refuge.

Drakes









Fear of the Canvas

florida_intercoastal

I’ve just realized why I have been avoiding painting recently, not really avoiding it but just having a harder time settling down. Many of the works have been in progress for quite a while so getting back to them is often like picking up a strangers painting.

The amazing point is when suddenly you stop thinking about what you need to do and just start slashing at the canvas with purpose. There are unseen shapes and connections of shapes that come out of the surface of the paint and you fill in the blanks instinctively.

A stumbling block is the fear, especially when you like what you’ve started but there is no room for timid strokes in painting or anything else creative. Once you stop and think or attempt the safe way you might as well save painting for later.

Painting should be bold, excited and even a bit reckless. My thought is every painting is a potential mistake that will never see the light of day. This is the time you learn the most, when you are free to forcefully and confidently paint without fear of failure.

One particular technique that takes a lot of time going back and forth is the light on water, it starts out overly dramatic and slowly becomes more realistic. There are points where the light seems right, others when there seems to be a bump in the horizon and you have confidently fix the problems and continue to focus while you see the image you’ve been working on go from good to worse to good again.

Another aspect is painting objects, straight lines and architecture, something that often needs to be reworked and perfected. You are happy with the background and suddenly you’ve just destroyed it with the object that you overlapped-often the background needs to be reworked with the object as you work to perfect both.

I am excited about the process and while I continue to get bits of time to paint, I am adding to an already large painting list. Let me know what you think of the new images.
swallowspsd