There are several elements that lend themselves to a mood in a photograph. I used to look for abstract patterns but my final image never added up to my passion or interest.
You can’t fake the inspired image, you can do well with textures, composition, colors and shapes but if the photographer has no interest in his or her subject neither will the viewer.
There are several elements that always find themselves into my work, whether it is painting, photography or even writing.
Nature: Always the center for most of my work, nature is where I get my peace and inspiration from. Nature has always been a comfort and my strength. Recently I have learned not only to find beauty and peace but also the isolation of light and the abstract patterns that continues to interest me.
Abstract Patterns: This is a recent motivation for my art and photography. I am continuing to find where light creates patterns or abstract images out of nature.
I have also learned to find light in the midst of a flat landscape. I isolate nature at it’s simplest form.
I like to keep the image simple and as iconic as possible. The clean empty space is what creates the atmosphere of solitude.
Simplicity: Isolating nature has become a trademark of some of my most recent images and I’m planning on expanding with still life indoor and out.
One reason for growing a wildlife garden: If you build it, they’ll come. And they are beautiful to watch in the garden.
All photographs are from my garden. It is amazing how you build a landscape and they come and use it. I have the whole life cycle in the garden. Next post I will show the birds that come to the garden when you don’t spray insecticides.
My intention has always been to create art that was realistic and once I attained a certain skill level I would just tweak reality, just enough to make the viewer a little off kilter.
It probably stems from years of depression which, although is part of the creative process, also makes the person feel off center. The paintings that approach surreal are a bit more dark but nothing too obvious.
Moonflower is a painting of the morning glories, moon flowers, which only bloom at night. I wanted to share a bit of the darkness and mystery of evening but I wanted the flowers to have a bit of a magical feeling to them.
The willow tree is a tree from my youth. It makes it into most of my paintings and is a bit of a symbol of time spent in New Jersey. The dark green lawn in the summer beneath the shadows of tall dark willow trees.
The same trees were struck by lightning and ended up becoming outdoor furniture where many of my very old poems were written on copied on.
Blackbirds are a consistent subject in both my paintings and writing. They are mysterious as the night sky and symbolic of impending doom.
Halloween has always been a subject as every year I see a different feeling to capture. I love the dark evening and the idea of goblins in the trees, I have always been a big fan of horror movies and my uncle used to buy my brother and I horror comic books and the feeling and thrill of being scared has continued through my writing and painting.
Child of ten is a diary of sorts, my dad died when I was ten. This is a painting of the effects of losing a parent at the age of ten. There are many symbols including the egg which represents the soul. Again the blackbirds are in the field and the child watches the future unfold.
The death of my father was a catalyst for much of my earlier writing and has only recently shown up in paintings.
This painting is from a dream when I was very young. My grandfather came out of a willow tree as the lightning hit the tree. The red flannel shirt is from the dream and I remembered the shattered bits of wood-I am planning on another attempt at this painting as the face wasn’t quite correct.
Many older painting ideas are now resurfacing as I begin to gain more confidence. I plan on creating a more concise series on the surreal side.
A sweet fragrant bloom that captures the energy and warmth of the summer. I’ve been planting sunflowers since I was in my early teens, they used to tower over my yard looking like a forest with giant yellow heads bowing down.
In the first photograph, I felt like I captured the light, all the heat and warmth of the summer sun in a single bloom. I love the way they grow anywhere, they even disperse a chemical from their seeds that don’t stop other competitors from growing.
Rich yellow blooms in the early spring. The first warmth in the garden as the dark soil gives up its seeds and the sunflowers rise to the height of the fence.
Sunflowers are a welcome treat throughout the season, the giant heads that feed the birds in the fall and the sweet candy blooms that feed butterflies and bees in the spring.
They are a buzz of activity, intricate cities of bees, moths, wasps and butterflies. As a child, they were my solace, a place where everything made sense. Nature has always been my peace, the garden my escape, Sunflowers like hope.
It’s the intricacies of color, the complex smell of the nectar, the strong and persistent stems that reach into the sky; A giant yellow bloom stares down at the ground in the long heat of a summer day and the day is painted gold.
I have painted sunflowers much like the passion vine as they represent something wonderful, a nod to childhood and all things nature.
They are dramatic subjects in paintings and I have painted several works where they steal the show. There is something almost otherworldly about their giant overwhelming forms and the seed heads are an abundant source of food for wildlife in the winter when the summer cycle ends.
The colors grow warmer but the light becomes more flat as summer gives up its youth. There are more used up blooms than new ones but the ones that stay are more vibrant with thick sturdy stems.
In the distance cicadas serenade the last bit of afternoon light. The landscape is parched, the grass golden as the wind begins to change.
The purpose is spent in the final hours of summer, throwing seeds in preparation of spring and the yellow grasses give into the heat. It’s Autumn, one more flash of rich colors before the season is dark and silent.
Sleep, the needed ingredient, that deep breath that gives up all of one’s hope and reminds us of the purpose of work. From the heat of summer we have learned lessons, they mingle in the black soil and they will speak when we can no longer have a voice.
It’s tilted head gives in. The last bits of yellow discarded, devoured by birds and scavenged by squirrels and field mice-it is the end of a season. With little sadness, nor time to reflect, the seeds wait in the darkness of the soil.
It is time to sleep, hope sleeps in darkness and purpose is on a winter horizon. Every season has a purpose and to everything a reason under the sun.
It’s been more than ten years when I first met R.L. Clayton, he is a science fiction writer and I met him through a friend. He wanted a cover image of a futuristic ship that didn’t exist. Challenge accepted!
Sea Species was born. We both invested time and patience to envision an image that didn’t yet exist. That is the job of a designer when you are creating something that is not your own, you need to listen and get out of our own ideas and allow the client’s vision to become real.
Little did I know at the time, but I was about to create a library of books that all stemmed from one project.
A lasting business relationship quickly turned into a friendship even though I have never met him in person.
In these days that the bottom line trumps loyalty and integrity, it is a very rewarding experience working with a client on a basis of trust and the old fashioned idea of a handshake.
Next came the Envoy and soon after that the Genesis. I created his website for the evolution river series and posters for book readings. We also started a social media presence and a monthly email.
The next book was about the woman pilots of World War II. It was a departure from science fiction to a story with a historical backdrop. Another book and another cover was created and as the list of books grew so did the website.
R.L. Clayton books website began with R.L. Clayton descending in dystopia back before dystopia was a thing. I listened to the creepy ideas that spawned the next cover in the collection.
The Dead series began with a book about terrorists, on the cover was to be a coffin with a life meter on the face; Dead and Dead for Real was born.
The writer’s vivid ideas began creating a definite brand and a look and feel that grew as we continued to produce new books.
In this time I learned the art of creating an e-book and suddenly besides the printing issues we learned and tackled the problems associated with creating an e-book.
R.L. Clayton books grew as more books were added to the library. The next frightening book in the series was Dead Reckoning, a child with a bubble wand blowing dangerous chemical agents into the air. The whole idea and darkness of the Dead Series truly inspired my love of the macabre.
Dead again followed Dead Reckoning and the next chapter in the series leads back to the Envoy in the Evolution River Series. It is very exciting to see a writer create a body of work and I feel like I am on a journey that continues to inspire me and reach for more creativity.
As I continue to grow my skills and knowledge of book marketing we are seeing how the public reacts as each book is produced and Clayton attends book readings. We have recently gotten some great reviews on the Dead series and am anxious for the next book to be finished.
During the process of creating all the books, Clayton had mentioned a book he was thinking of with his 9-year-old granddaughter, a children’s book. The first cover we tried was with real photographs and than we decided pastel was the way to go. Inside of the book are 12 separate illustrations of the yard in pastel and the characters besides the cat were all created in Adobe Illustrator.
The book is finally available on ebook and in print on Amazon. During this process we have learned about publishers, I’ve created a video for the evolution river series, two websites, several reviews and two websites. We both have learned from a relationship that has lasted more than ten years and I am excited about the new projects and the new books we’ll come to create, in fact other children’s books are on the list as well. We’ll see.
All of this knowledge and experience came from a trusting and mutually rewarding relationship and I consider myself lucky to be able to work with a great write like Clayton.
Please check out his books at www.rlclaytonbooks.com.
Nature hides its secrets, the artist must be patient, waiting for the riddle to show itself. Usually it is quite subtle and the quiet spectacle of light is gone almost as soon as it’s noticed.
Light is what the photographer seeks to describe, to find it in a way that it might not have been noticed or seen before.
This is a series of treasures no one would notice, but I find them quite beautiful. Nature has always inspired me.
Subtle for a moment and just as quickly gone
the true colors of leaves
and we see the extraordinary in the mundane
beauty in the ordinary.
Rich autumn colors come inside
bringing warmth to a silver
I cling to color
as the landscape turns gold
last remnant of flame
It’s sad to see its wings
how many miles
last winter it hung
others of its kind
and it belonged
waiting to make the trip
only to lay on the concrete
spent The final shaft of light
the final stained glass
a remnant of spring
Purple Passion vine illustration using Adobe Illustrator
I have been illustrating in Adobe Illustrator for many years and after a many parts and end equipment I thought it was time to expand my subject matter. How I actually started working in the high-tech industry doing technical drawings and the occasional illustration was by showing an image of a green tree frog to a potential employer. It was the first attempt at illustrating using a PC-the program was Arts and Letters Jurassic Arts and the tools were basic at best.
I have since worked in Micrografix Designer, Corel Draw even freehand and finally the standard adobe products-Illustrator and Photoshop. After writing about the life of a goldfish I decided to illustrate the image instead of using a photograph and what follows is how I approach illustrating in Illustrator.
My first and most basic process is just getting the shape and basic colors and tones down. This is the fastest part of the illustration. I will usually follow the lines of color and shadow and create layers of light that cover up layers of shadow.
Image 1-basic form
After I feel the overall form is correct I will layer the colors again almost like the rings of a tree-you overlap each color with the form that overlaps it. You will notice every change and try to process it as if there were multiple layers of shapes that make the final form. I try to use as little gradients as they can tend to be contrived-if I do use them they need to be very subtle.
The second figure shows a minimal change from the first. Basic overlaying of colors that allow the background to show through and adds depth to the illustration. Detail is not as important at this point as there will be overlying of details and softening of edges after this stage.
Image 2-overlays of colors-layering for effect
The third step is where all the details begin taking shape. Again hard edges are overlapped
with lighter softer edges. At this stage I need to realize the overall texture and the best
way to create a subtle dimensional feel to the image.
Image 3-overlaying two
By the third step the most intricate color and details become the major focus. I start cleaning up the basic shape and making sure all the proportions are right. The lines and detail is severe at this point because with the next step I will use the brush to merge the shapes to form a subtle more photographic image.
The final step is actually using brush strokes to overlap the hard edges of the previous step. Light and shadow overlay the original details and blocks of colors with varying degrees of opacity allows for more subtle effects.
Final step before creating background
After finalizing the details and colors of the fish I create a background. I don’t want much detail in the background so brush work and simple heavily feathered images create a backdrop that strives to not fight with the image of the goldfish.
Finished product using Adobe Illustrator
This was a previous post from blogger and I though with the new illustrations for R.L. Claytons’ first children’s book Penelope the Pooting Spider-I thought it was appropriate to share the article on techniques for illustrating with Adobe Illustrator.
We started with the cover and the interior was a watermarked version of the cover with characters highlighted on each page.
I added illustrated versions of the animals from illustrator but the cat and the field was created by hand with pastels and then photographed and adjusted for color and texture.
Birds are not only a passion of mine they represent nature and often are the most accessible species in the suburban backyard. I remember going to my grandmothers’ in Orange New Jersey-out of the a concrete landscape of the city there were birds, not many but enough to offer some nature amidst concrete.
Over the years of writing and painting, certain birds have become symbolic in my work. The two most prominent are blackbirds and owls but recently the swallow has sparked my interest.
There is a song by Sparklehorse called the pain birds and on the album Good Morning Spider is a swallow. The first in the series is actually called the painbirds and it was during a time of great upheaval in my life.
The painting sat on the wall unfinished for more than a year, just the bridge and the water. I knew it was going to be swallows but I just couldn’t decide how and where the birds would appear. Next came the purple passion vine, a very religiously significant plant that I collect, all of these elements finally gelled and the Painbirds was born.
The second in the series came about with a lot less symbolism. I focused more on the relationship of two birds on a wire and the landscape that expanded behind them. Again, it sat unfinished for a long time as the image came together.
The problem is that the initial idea is filled with excitement and direction but after some time the overall details fade. This is why I can’t paint when I feel like painting, it seems you either see the details and textures and the way they need to be rendered or you don’t.
Birds on a Wire was the second in the series and it was just as large as the first one. Notice the change in colors, the richness and warmth replaces the cools and somewhat melancholy of the pain birds, it was a bit more comfortable time in my life and I believe I was much happier. The sunset does have a bit of symbolism of change and the possibilities of tomorrow and becoming comfortable with things ending.
The last in the series is the Celebration. I watched as the recent drought ended and Lake Ray Hubbard was full again, the swallows swarmed the bridge as if they were celebrating the end of the drought. It is the smallest painting of the three with the most birds.
It also marks a time where I am getting back to water at its simplest aspect. I wanted to get back to the way I used to paint water. I have recently departed from the clarity and depth and explored bright colors and reflections. I am going back to the basics and why I started painting water in the first place.
I have several paintings in the works, one is of grackles, another of egrets, I am getting back to studying nature with more depth and understanding. I am also working on some abstract images that are a bit less about nature and more about the human condition.
Stay tuned and please let me know which of the series you prefer and why.
It’s almost like a stain-glassed window as the light filters through spring leaves. I have been watching this for many seasons and have had the idea on my easel for many years now.
I was interested in the richness of fading afternoon sun. I love the shadows of blues and greens reflecting a coolness in the midst of an ending day. This is the third in an upcoming series of paintings coming off the easel. Stay tuned.
Artbygordon: Original oils on canvas, Original pastels on paper celebrating the beauty and mystery of nature. Water and night skies are my specialties.