In the beginning of 2018, with a little bit more freedom, I began to explore more places to find nature. Some of the places I visited are the Cedar Ridge Preserve. I began to seek out any place I could find even a hint of nature and mapped out several wonderful hikes very close to Dallas. For more information on the Cedar Ridge Preserve.
February and March found the artist seeking colors and light and instead I began to discover patterns in nature. I aimed to isolate light and shape even when the light was flat.
Talking with the naturalists I learned about another favorite place of mine, the Parkhill Prairie in Blue Ridge, Texas. It is like going back to a place in history where the wind cries across the pristine planes. I watched hawks sore and songbirds in the native environment-it was a wonderful trip and a need grounding for me. It is a wonderful remnant of the backland prairie.
I finally got to the East Texas Alligator Farm and Park. It was an enjoyable visit and something I have been planning for many years on so many drives out East. I plan on finding those out of the way places and writing and photographing about them.
2018 started off with my decision to quit selling insurance and start doing creative projects full time. It has been a very productive year and the elements of this year will shape the future look and feel of all of my work.
My oils have been a collection of snapshots of the road as I put 50,000 miles on my new vehicle. The images are of the hawk surveying a field and mallards along the side of the road. There are actually 4 or 5 more images that I haven’t even started but are on the list of paintings to create. The images include a tractor, cattle and other country road images.
I finally finished the series of swallows. There are 3 in the series and this final image is the celebration. It is the smallest of the group and yet the most birds, the name of the painting is the celebration because the drought is finally over, it looked as if the swallows were swarming in celebration .
The colors a bit more vivid than in the past as I bridge the gap between realism and impressionism. Future paintings will be more about light and darkness than the image itself. I am also trying to get back to water and the reason why I started painting it in the first place. Back to the basics of clarity and the richness of colors.
I showed for the first time in Opa in Rowlett as of September. I sold one painting and there are 6 paintings still showing until the end of the month. All the new paintings will be included on the website as I move some of the older ones to archive.
I created these pastels again from snapshots on the road. Each one was created within one sitting both from memory and preliminary sketches.
My style has become a bit lighter and more comfortable with details in some places and relief in others. I also blur the image a whole lot less than I used to.
I am excited about finishing up some of the older snapshots and the immediacy of the pastel promises quick rewards. Some of the pastels will probably become larger more defined oils.
January began with a feeling of freedom and exploration. Multiple trips to local nature places brought photography of all different aspects of nature.
Many of these photos have become the initial inspiration for the artist window, which is a collection of objects from nature.
I am more aware of light than I ever have been. On a flat day of gray light with little character, I have learned to isolated objects and find beauty from the bland afternoon sun.
I am also getting more interested in the still life which also lends itself to the artist window series. I have become a collector of leaves, pine cones and even a magnolia seed pod I found.
I am more interested in patterns and colors and the way they react with light. I have also grown more excited about abstract images and am continuing to see abstract patterns in nature.
This is the first installment of 5 more posts that will include travels, writing, contests and more months of photography.
Nature hides its secrets, the artist must be patient, waiting for the riddle to show itself. Usually it is quite subtle and the quiet spectacle of light is gone almost as soon as it’s noticed.
Light is what the photographer seeks to describe, to find it in a way that it might not have been noticed or seen before.
This is a series of treasures no one would notice, but I find them quite beautiful. Nature has always inspired me.
Subtle for a moment and just as quickly gone
the true colors of leaves
and we see the extraordinary in the mundane
beauty in the ordinary.
Rich autumn colors come inside
bringing warmth to a silver
I cling to color
as the landscape turns gold
last remnant of flame
It’s sad to see its wings
how many miles
last winter it hung
others of its kind
and it belonged
waiting to make the trip
only to lay on the concrete
spent The final shaft of light
the final stained glass
a remnant of spring
Purple Passion vine illustration using Adobe Illustrator
I have been illustrating in Adobe Illustrator for many years and after a many parts and end equipment I thought it was time to expand my subject matter. How I actually started working in the high-tech industry doing technical drawings and the occasional illustration was by showing an image of a green tree frog to a potential employer. It was the first attempt at illustrating using a PC-the program was Arts and Letters Jurassic Arts and the tools were basic at best.
I have since worked in Micrografix Designer, Corel Draw even freehand and finally the standard adobe products-Illustrator and Photoshop. After writing about the life of a goldfish I decided to illustrate the image instead of using a photograph and what follows is how I approach illustrating in Illustrator.
My first and most basic process is just getting the shape and basic colors and tones down. This is the fastest part of the illustration. I will usually follow the lines of color and shadow and create layers of light that cover up layers of shadow.
Image 1-basic form
After I feel the overall form is correct I will layer the colors again almost like the rings of a tree-you overlap each color with the form that overlaps it. You will notice every change and try to process it as if there were multiple layers of shapes that make the final form. I try to use as little gradients as they can tend to be contrived-if I do use them they need to be very subtle.
The second figure shows a minimal change from the first. Basic overlaying of colors that allow the background to show through and adds depth to the illustration. Detail is not as important at this point as there will be overlying of details and softening of edges after this stage.
Image 2-overlays of colors-layering for effect
The third step is where all the details begin taking shape. Again hard edges are overlapped
with lighter softer edges. At this stage I need to realize the overall texture and the best
way to create a subtle dimensional feel to the image.
Image 3-overlaying two
By the third step the most intricate color and details become the major focus. I start cleaning up the basic shape and making sure all the proportions are right. The lines and detail is severe at this point because with the next step I will use the brush to merge the shapes to form a subtle more photographic image.
The final step is actually using brush strokes to overlap the hard edges of the previous step. Light and shadow overlay the original details and blocks of colors with varying degrees of opacity allows for more subtle effects.
Final step before creating background
After finalizing the details and colors of the fish I create a background. I don’t want much detail in the background so brush work and simple heavily feathered images create a backdrop that strives to not fight with the image of the goldfish.
Finished product using Adobe Illustrator
This was a previous post from blogger and I though with the new illustrations for R.L. Claytons’ first children’s book Penelope the Pooting Spider-I thought it was appropriate to share the article on techniques for illustrating with Adobe Illustrator.
We started with the cover and the interior was a watermarked version of the cover with characters highlighted on each page.
I added illustrated versions of the animals from illustrator but the cat and the field was created by hand with pastels and then photographed and adjusted for color and texture.
Birds are not only a passion of mine they represent nature and often are the most accessible species in the suburban backyard. I remember going to my grandmothers’ in Orange New Jersey-out of the a concrete landscape of the city there were birds, not many but enough to offer some nature amidst concrete.
Over the years of writing and painting, certain birds have become symbolic in my work. The two most prominent are blackbirds and owls but recently the swallow has sparked my interest.
There is a song by Sparklehorse called the pain birds and on the album Good Morning Spider is a swallow. The first in the series is actually called the painbirds and it was during a time of great upheaval in my life.
The painting sat on the wall unfinished for more than a year, just the bridge and the water. I knew it was going to be swallows but I just couldn’t decide how and where the birds would appear. Next came the purple passion vine, a very religiously significant plant that I collect, all of these elements finally gelled and the Painbirds was born.
The second in the series came about with a lot less symbolism. I focused more on the relationship of two birds on a wire and the landscape that expanded behind them. Again, it sat unfinished for a long time as the image came together.
The problem is that the initial idea is filled with excitement and direction but after some time the overall details fade. This is why I can’t paint when I feel like painting, it seems you either see the details and textures and the way they need to be rendered or you don’t.
Birds on a Wire was the second in the series and it was just as large as the first one. Notice the change in colors, the richness and warmth replaces the cools and somewhat melancholy of the pain birds, it was a bit more comfortable time in my life and I believe I was much happier. The sunset does have a bit of symbolism of change and the possibilities of tomorrow and becoming comfortable with things ending.
The last in the series is the Celebration. I watched as the recent drought ended and Lake Ray Hubbard was full again, the swallows swarmed the bridge as if they were celebrating the end of the drought. It is the smallest painting of the three with the most birds.
It also marks a time where I am getting back to water at its simplest aspect. I wanted to get back to the way I used to paint water. I have recently departed from the clarity and depth and explored bright colors and reflections. I am going back to the basics and why I started painting water in the first place.
I have several paintings in the works, one is of grackles, another of egrets, I am getting back to studying nature with more depth and understanding. I am also working on some abstract images that are a bit less about nature and more about the human condition.
Stay tuned and please let me know which of the series you prefer and why.
It’s almost like a stain-glassed window as the light filters through spring leaves. I have been watching this for many seasons and have had the idea on my easel for many years now.
I was interested in the richness of fading afternoon sun. I love the shadows of blues and greens reflecting a coolness in the midst of an ending day. This is the third in an upcoming series of paintings coming off the easel. Stay tuned.
I finally got a chance to paint. It was a stormy afternoon as you can see from the remnants of a swollen stream in the distance.
I got more information and sketched more on a trip to Hagerman where there are always hawks patrolling each fence row. There are a lot of red tailed hawks and I consider them the watchmen of the meadows and fields.
This painting was inspired by a ride in East Texas. I liked the grouping
of the drakes and the females looking on. It was a quick snapshot that turned into a long process of capturing a cool autumn day.
Since I started the painting, there have been many starts and stops. I have also had several times studying mallards at a local park to get the personality and eyes right on the males.
I aim to capture that relationship between characters in nature. When I go and study the ducks, they always know I’m there, they just keep their comfortable distance.
I was also aiming for the dark colors of autumn but the warmth of light on the reeds and the shiny green heads of the males. This is the first in the series, tomorrow I will have another I just finished: A hawk from a fence near Hagerman Wildlife Refuge.
My latest series of projects have been finding rich colors and textures from ordinary objects. When viewed in a different light and in a unique setting, even ordinary fruit takes on a new and more attractive presence.
Artbygordon: Original oils on canvas, Original pastels on paper celebrating the beauty and mystery of nature. Water and night skies are my specialties.