Tag Archives: artist

Random acts of creativity: Where Inspiration meets kinetic

Spider web February 1, 2019-I celebrate the intricacies of nature and artists creating beautiful things Artbygordon copyright 2019

Creativity: Picture the most euphoric state you can imagine; the birth of a child, flying down a ski slope or a rollercoaster or the view of an awe-inspiring sunset and realize how transient that state is. This is what creativity is for me.

It is when everything aligns naturally and suddenly the strange riddle you’ve been deciphering becomes completely discernible. The riddle is inspiration-I equate it to craving something to eat but not quite able to decide what you are craving.

Honey Bee January 19, 2019-I love how light isolates and creates a moment in nature- Artbygordon copyright 2019

Photography: I have experienced this state of clarity in each medium I work with. My photography used to be, a love of landscapes which weren’t always available to shoot depending on the quality of light and time of day.

I would find an abstract pattern in nature but the image never quite meshed. In a landscape, you can plan for shapes and composition allowing lines to create depth and dimension for the viewer but how do you explain objects and make them have interest to the viewer.

Redbud February 1, 2018-I celebrate the intricacies of nature and artists creating beautiful things Artbygordon copyright 2019

So many attempts failed because I was missing the crucial aspect of the image-it wasn’t the shape, it wasn’t the color, instead it was how it interacted with light.

you just know you’ve captured something beautiful and the excitement is that transient state of seeing what’s invisible and showing it to the viewer.

Artbygordon 2019
Duck January 2019- This is from a series of images that shows loneliness and solitude-Artbygordon copyright 2019

As I continue to see nature beyond the larger scope of a landscape, the isolated image becomes more clear. I find myself noticing, even in the flattest, blandest afternoon light how something evokes an emotion or at least interest from a chaos of details.

After I shoot a landscape or an object, sometimes you just know you’ve captured something and the excitement is that transient state of seeing what’s invisible and capturing it for the viewer.

NEXT Post Creativity in Painting: Pushing Paint

Rediscovering the Artist Eye: Diversions are Part of the Process

This image is from a night of camping with my son at Lake Murray-we both played on the cold, hard rocks and watched the moon rise-it has become his favorite painting. Artbygordon 2013

I just started a new painting about the night sky, just did a simple underpainting of trees in the front yard with a moon and star-filled sky.

The more I get back to painting, the more I find myself seeking a graphic element, simple and more abstract. In the past it was more about mood and peripherals and now it is about the shapes and how they interplay.

Photography of light and simple shapes-probably an evolution that is effecting my paintings. I enjoy the contrast of light and shadows and the simplicity of objects. Original Photography by Artbygordon 2018

I’ve been admiring too much abstract images I guess. I’ve also been seeking how light interplays with objects in my photography, which seems to be a principle in the new/old series.

I am getting back to several images of water-they all were somewhat complete but I was never completely pleased with them. It is amazing to me how much an image literally plays itself out while you paint.

There is the first obstacle of pushing paint around, overcomplicating what you see and over-explaining a simple principle of light and shadow.

The droplets on the rose are perfect example of how it is not overcomplicated creating reflection and light-it is a very subtle, simple rendering that delivers the best image.

When the subconscious overrides the conscious and truly sees and renders simple the image as it is-this is when the hand and the brain tend to work independent of consciousness, the lines, forms and subtle detail seem to create themselves.

The Terns Artbygordon 2013: An older painting and the beginning of seeing things in shapes and abstracts

To show the progression of recent paintings, I need to go back to previous series. This is where the shape is becoming a bit more important than the feeling and depth of the water.

I feel like I am getting back to full circle, the paintings in the new series will have more detail in the water, more sharper contrasts of light and I will get back to the reason I loved the night sky and water.

The next post will be about the night sky with the newer images. I am excited about the new series and see my vision truly taking shape.

Back to the Canvas: Rediscovering water and the simple intricacies of light

Turner Falls Oklahoma Original Oil on Canvas Artbygordon 2018

To Truly See: Getting back to Details

I got back to the canvas yesterday and found my purpose for water. The problem with water or even capturing images realistically is seeing and capturing the basic element of the image.

After you’ve truly seen and conveyed the basic idea, the essence of water with temperature and depth, then you can stray from the reality of the colors and even the perspective.

Intention: What is the Basic Premise

It all depends on intention, my intention is always to see the depth and clarity of water first, after that I can express the place or time and I’ve succeeded in the whole reason I started painting water in the first place.

What has happened recently is a loss of conveying the details. Waterfalls end up looking like flows of hair or cotton and the water clarity and depth instead takes on a nondescript study of color.

Petit Jean Arkansas: Original Oil on Canvas Artbygordon 2018

The Shift: To Truly See

There is a point where I can push color back and forth without truly seeing but with any luck there is the shift, where the subconscious remembers what it knows.

This is what happened yesterday, suddenly the brush moves with little consciousness from the artist-it’s like all the forms and strokes are already there.

It is almost an out-of-body experience because the hand the brush, even the colors and the forms tend to paint themselves. I’ve experienced this with writing too and it is an amazing place that no artist wants to leave.

The Fisherman: 2018 Original Oil on Canvas, Artbygordon-work in progress

New Elements in Recent Works

I’m not sure if it’s because of shooting so much graphic photography but recently I have more intention on form and contrast of light. The actually scene is secondary to the relationship of the elements and the contrast of light.

There are many ways to show depth and perspective, this is just one more option and I’m really beginning to see a shift in my work overall as elements supersede or at least complement mood.

Lake Texoma: Original Oil on Canvas Artbygordon 2018

2019: A New Year

A new year, an unblemished calendar but what to do? How can I make 2019 a special, productive year? 

The question definitely has to do with my readers but at the same time, I can’t deliver meaningful content unless I know what my readers and subscribers are wanting or even expecting.

I have decided to break my posts into specific columns so you will have an idea of what to expect and there will be a constant theme going through my content although varied as it might be.

I used to create the blog on Blogger and than share it with multiple network channels but I am trying to localize all the content through the website.

Here are a list of the upcoming posts and what I envision for the year.

Hagerman National Wildlife Refuge original photography by Artbygordon

The Artist’s Window: It’s how the artist sees the world, how we find light and what makes the ordinary extraordinary from an artist’s view. 

Hagerman National Wildlife Refuge original photography by Artbygordon

Depression for the Layman: How to live with depression and tips and tools to live a good life despite the illness. I will be putting all the pieces into a book with other self-help books in the works.

Hagerman National Wildlife Refuge original photography by Artbygordon

From A Kayak: I’m trying to bring this back; it might be a view from a tree, a view from a platform-it’s just going to be different places in nature.

The Grackles 2017 Artbygordon

ArtbyGordon: New Series, new subject matter and my reactions and thoughts on art and being creative. Artbygordon and life creatively will merge into this catchall for living a creative lifestyle and breaking the boundaries of the expected.

Remnants of the Garden Artbygordon

Gardening: From the beginning to end of the garden and different aspects of life woven through a life filled with nature and gardening. On a practical note: all the winners and losers, maintaining order in a chaotic garden and other thoughts on life and creativity.

Road to Hagerman Artbygordon

Travel and Writing: This will be the travel side of my blogging. I will highlight at least one place through each month-it could be reviews on food, venues, concerts-anything travel with a little bit of nature added in for color.

The Reluctant Military Dad: This is a new piece of the puzzle-it’s about being a single dad and letting go. It’s about my son in the military and the aspects of a dad watching his son become something great. 

General parenting insights and topics about raising kids in today’s world-being a step dad to my oldest son and all I’ve learned on this journey of parenting.

The next thought, what my readers are wanting and what to add to the blog-I would love to hear what people would like to read about.

I am excited about 2019 and feel my brand and its scope is growing.  Please be a part of the Artbygordon newsletter to get up to date news on series, appearances and latest writing and photography.

Artist on the Edge of Surreal: Exploring Darker Moments

Depression: An Emotional Storm

My intention has always been to create art that was realistic and once I attained a certain skill level I would just tweak reality, just enough to make the viewer a little off kilter.

It probably stems from years of depression which, although is part of the creative process, also makes the person feel off center. The paintings that approach surreal are a bit more dark but nothing too obvious.

Moonflower is a painting of the morning glories, moon flowers, which only bloom at night. I wanted to share a bit of the darkness and mystery of evening but I wanted the flowers to have a bit of a magical feeling to them.

The willow tree is a tree from my youth. It makes it into most of my paintings and is a bit of a symbol of time spent in New Jersey. The dark green lawn in the summer beneath the shadows of tall dark willow trees.

The same trees were struck by lightning and ended up becoming outdoor furniture where many of my very old poems were written on copied on.

The Grackles 2018

Blackbirds are a consistent subject in both my paintings and writing. They are mysterious as the night sky and symbolic of impending doom.

Halloween 2016

Alone in Wylie


Halloween 2016

Halloween has always been a subject as every year I see a different feeling to capture. I love the dark evening and the idea of goblins in the trees, I have always been a big fan of horror movies and my uncle used to buy my brother and I horror comic books and the feeling and thrill of being scared has continued through my writing and painting.

Child of Ten

Child of ten is a diary of sorts, my dad died when I was ten. This is a painting of the effects of losing a parent at the age of ten. There are many symbols including the egg which represents the soul. Again the blackbirds are in the field and the child watches the future unfold.

The death of my father was a catalyst for much of my earlier writing and has only recently shown up in paintings.

Grandfather’s Willow

This painting is from a dream when I was very young. My grandfather came out of a willow tree as the lightning hit the tree. The red flannel shirt is from the dream and I remembered the shattered bits of wood-I am planning on another attempt at this painting as the face wasn’t quite correct.

Many older painting ideas are now resurfacing as I begin to gain more confidence. I plan on creating a more concise series on the surreal side.

A Productive Year: 2018 Part 1 of 6

2018 started off with my decision to quit selling insurance and start doing creative projects full time. It has been a very productive year and the elements of this year will shape the future look and feel of all of my work.

Original Oils on Canvas for 2018

My oils have been a collection of snapshots of the road as I put 50,000 miles on my new vehicle. The images are of the hawk surveying a field and mallards along the side of the road. There are actually 4 or 5 more images that I haven’t even started but are on the list of paintings to create. The images include a tractor, cattle and other country road images.

I finally finished the series of swallows. There are 3 in the series and this final image is the celebration. It is the smallest of the group and yet the most birds, the  name of the painting is the celebration because the drought is finally over, it looked as if the swallows were swarming in celebration .

The colors a bit more vivid than in the past as I bridge the gap between realism and impressionism. Future paintings will be more about light and darkness than the image itself. I am also trying to get back to water and the reason why I started painting it in the first place. Back to the basics of clarity and the richness of colors.

I showed for the first time in Opa in Rowlett as of September. I sold one painting and there are 6 paintings still showing until the end of the month. All the new paintings will be included on the website as I move some of the older ones to archive. 

Original Pastels on Paper for 2018

I created these pastels again from snapshots on the road. Each one was created within one sitting both from memory and preliminary sketches.

My style has become a bit lighter and more comfortable with details in some places and relief in others. I also blur the image a whole lot less than I used to.

I am excited about finishing up some of the older snapshots and the immediacy of the pastel promises quick rewards. Some of the pastels will probably become larger more defined oils.

Photography for January-February 2018

January began with a feeling of freedom and exploration. Multiple trips to local nature places brought photography of all different aspects of nature.

Many of these photos have become the initial inspiration for the artist window, which is a collection of objects from nature.

I am more aware of light than I ever have been. On a flat day of gray light with little character, I have learned to isolated objects and find beauty from the bland afternoon sun.

I am also getting more interested in the still life which also lends itself to the artist window series. I have become a collector of leaves, pine cones and even a magnolia seed pod I found.

I am more interested in patterns and colors and the way they react with light. I have also grown more excited about abstract images and am continuing to see abstract patterns in nature.

This is the first installment of 5 more posts that will include travels, writing, contests and more months of photography.

The Artist Window: Part 1

Nature hides its secrets, the artist must be patient, waiting for the riddle to show itself. Usually it is quite subtle and the quiet spectacle of light is gone almost as soon as it’s noticed.

Light is what the photographer seeks to describe, to find it in a way that it might not have been noticed or seen before.

This is a series of treasures no one would notice, but I find them quite beautiful. Nature has always inspired me.

Light through windows

Subtle for a moment and just as quickly gone
the true colors of leaves
are defined
and we see the extraordinary in the mundane
beauty in the ordinary.

Rich autumn colors come inside
bringing warmth to a silver
afternoon
I cling to color
as the landscape turns gold
than gray
watching  the
last remnant of flame
fade

It’s sad to see its wings
useless
how many miles
had passed?
last winter it hung
trembling with
others of its kind
and it belonged
somewhere
in Mexico
waiting to make the trip
back
only to lay on the concrete
spent

The final shaft of light

autum
the final stained glass
window
a remnant of spring
fading

 









Fear of the Canvas

florida_intercoastal

I’ve just realized why I have been avoiding painting recently, not really avoiding it but just having a harder time settling down. Many of the works have been in progress for quite a while so getting back to them is often like picking up a strangers painting.

The amazing point is when suddenly you stop thinking about what you need to do and just start slashing at the canvas with purpose. There are unseen shapes and connections of shapes that come out of the surface of the paint and you fill in the blanks instinctively.

A stumbling block is the fear, especially when you like what you’ve started but there is no room for timid strokes in painting or anything else creative. Once you stop and think or attempt the safe way you might as well save painting for later.

Painting should be bold, excited and even a bit reckless. My thought is every painting is a potential mistake that will never see the light of day. This is the time you learn the most, when you are free to forcefully and confidently paint without fear of failure.

One particular technique that takes a lot of time going back and forth is the light on water, it starts out overly dramatic and slowly becomes more realistic. There are points where the light seems right, others when there seems to be a bump in the horizon and you have confidently fix the problems and continue to focus while you see the image you’ve been working on go from good to worse to good again.

Another aspect is painting objects, straight lines and architecture, something that often needs to be reworked and perfected. You are happy with the background and suddenly you’ve just destroyed it with the object that you overlapped-often the background needs to be reworked with the object as you work to perfect both.

I am excited about the process and while I continue to get bits of time to paint, I am adding to an already large painting list. Let me know what you think of the new images.
swallowspsd









Painting: Deliberate until something develops

undertheseasm

There are so many different feelings when you paint, sometimes it’s pushing paint around, sometimes it’s deliberate, even mechanical and sometimes it’s instinctual, tonight’s  sitting was a little bit of all of them.

I started with an under painting and it was one of the more deliberate paintings I’ve started, unfortunately I didn’t have the full picture, just an idea of clouds moving forward over the viewers head. The actual image is from real life, I have photographs for reference but I’m not completely sure where the clouds end and what the landscape looks like.

I painted the background with perspective lines, every form, every color and every space will be designed with the idea of perspective and I want the viewer to feel overwhelmed by the clouds overhead.

As I tend to do, I switched gears after finishing a monochromatic under painting I turned to the painting of a scene from beneath Shark River Inlet in Belmar New Jersey. This painting was inspired thirty plus years ago and it still stood clear.

I painted with a clear feeling of purpose but as suddenly as it began it ends and I wasn’t sure if I was done with the painting or should start all over. The problem is the idea and image is strong but the recollection is so hard to bring back to mind. I will continue to study it until I know it’s either done or time to start over.

Another thing about painting, sometimes you feel like you’ve created your best work and sometimes the same painting looks like a mistake. I got back to the grackles above the city, an image that I started at the end of the last series, again I had that feeling of instinct kick in and for thirty minutes or so I painted like I figured out the problem.

None of the paintings are finished but I feel like I’m shaking off the stagnation and getting in the process. The most exciting thing about painting instinctual is that images appear that you didn’t necessarily know you were creating they just come out of the details you’ve worked in feverishly.

I’m excited about this series and feel it will be a huge step toward my future painting style and feel.

Stay tuned, more paintings coming very soon.

gracklessm









Back to the Artists Studio

Screen Shot 2016-07-06 at 10.49.45 PM Screen Shot 2016-07-06 at 10.49.31 PM

Last night I finally started painting again. The excitement and inspiration spilled over into the next day. It is a liberating feeling after being stifled for so long and suddenly it all makes sense.

I think the only negative is that suddenly there are more ideas, images and concepts than I can get done in the time available. This is when my lists get overwhelming.

I first started on the third in a series of swallow paintings. The work is smaller than the two previous but more detailed, with a larger population of swallows than the previous paintings.

The name of the work is the celebration, it is a scene from a local bridge in Rowlett after the spring rain. I saw a swarm of swallows that surrounded the bridge and flew under and around the structure. There was a feeling of excitement; nature in celebration, the drought was finally over.

The second painting I work on was a brand new painting called calvary The last time I went to church, I had an amazing image of calvary surrounded by stained glass. This is going to be one of my most colorful paintings and it is a bit of a departure from previous works.

I’m very excited about finally getting back to work and I can’t wait to see the new views as they become real.