Tag Archives: artist

Artist on the Edge of Surreal: Exploring Darker Moments

Depression: An Emotional Storm

My intention has always been to create art that was realistic and once I attained a certain skill level I would just tweak reality, just enough to make the viewer a little off kilter.

It probably stems from years of depression which, although is part of the creative process, also makes the person feel off center. The paintings that approach surreal are a bit more dark but nothing too obvious.

Moonflower is a painting of the morning glories, moon flowers, which only bloom at night. I wanted to share a bit of the darkness and mystery of evening but I wanted the flowers to have a bit of a magical feeling to them.

The willow tree is a tree from my youth. It makes it into most of my paintings and is a bit of a symbol of time spent in New Jersey. The dark green lawn in the summer beneath the shadows of tall dark willow trees.

The same trees were struck by lightning and ended up becoming outdoor furniture where many of my very old poems were written on copied on.

The Grackles 2018

Blackbirds are a consistent subject in both my paintings and writing. They are mysterious as the night sky and symbolic of impending doom.

Halloween 2016

Alone in Wylie


Halloween 2016

Halloween has always been a subject as every year I see a different feeling to capture. I love the dark evening and the idea of goblins in the trees, I have always been a big fan of horror movies and my uncle used to buy my brother and I horror comic books and the feeling and thrill of being scared has continued through my writing and painting.

Child of Ten

Child of ten is a diary of sorts, my dad died when I was ten. This is a painting of the effects of losing a parent at the age of ten. There are many symbols including the egg which represents the soul. Again the blackbirds are in the field and the child watches the future unfold.

The death of my father was a catalyst for much of my earlier writing and has only recently shown up in paintings.

Grandfather’s Willow

This painting is from a dream when I was very young. My grandfather came out of a willow tree as the lightning hit the tree. The red flannel shirt is from the dream and I remembered the shattered bits of wood-I am planning on another attempt at this painting as the face wasn’t quite correct.

Many older painting ideas are now resurfacing as I begin to gain more confidence. I plan on creating a more concise series on the surreal side.

A Productive Year: 2018 Part 1 of 6

2018 started off with my decision to quit selling insurance and start doing creative projects full time. It has been a very productive year and the elements of this year will shape the future look and feel of all of my work.

Original Oils on Canvas for 2018

My oils have been a collection of snapshots of the road as I put 50,000 miles on my new vehicle. The images are of the hawk surveying a field and mallards along the side of the road. There are actually 4 or 5 more images that I haven’t even started but are on the list of paintings to create. The images include a tractor, cattle and other country road images.

I finally finished the series of swallows. There are 3 in the series and this final image is the celebration. It is the smallest of the group and yet the most birds, the  name of the painting is the celebration because the drought is finally over, it looked as if the swallows were swarming in celebration .

The colors a bit more vivid than in the past as I bridge the gap between realism and impressionism. Future paintings will be more about light and darkness than the image itself. I am also trying to get back to water and the reason why I started painting it in the first place. Back to the basics of clarity and the richness of colors.

I showed for the first time in Opa in Rowlett as of September. I sold one painting and there are 6 paintings still showing until the end of the month. All the new paintings will be included on the website as I move some of the older ones to archive. 

Original Pastels on Paper for 2018

I created these pastels again from snapshots on the road. Each one was created within one sitting both from memory and preliminary sketches.

My style has become a bit lighter and more comfortable with details in some places and relief in others. I also blur the image a whole lot less than I used to.

I am excited about finishing up some of the older snapshots and the immediacy of the pastel promises quick rewards. Some of the pastels will probably become larger more defined oils.

Photography for January-February 2018

January began with a feeling of freedom and exploration. Multiple trips to local nature places brought photography of all different aspects of nature.

Many of these photos have become the initial inspiration for the artist window, which is a collection of objects from nature.

I am more aware of light than I ever have been. On a flat day of gray light with little character, I have learned to isolated objects and find beauty from the bland afternoon sun.

I am also getting more interested in the still life which also lends itself to the artist window series. I have become a collector of leaves, pine cones and even a magnolia seed pod I found.

I am more interested in patterns and colors and the way they react with light. I have also grown more excited about abstract images and am continuing to see abstract patterns in nature.

This is the first installment of 5 more posts that will include travels, writing, contests and more months of photography.

The Artist Window: Part 1

Nature hides its secrets, the artist must be patient, waiting for the riddle to show itself. Usually it is quite subtle and the quiet spectacle of light is gone almost as soon as it’s noticed.

Light is what the photographer seeks to describe, to find it in a way that it might not have been noticed or seen before.

This is a series of treasures no one would notice, but I find them quite beautiful. Nature has always inspired me.

Light through windows

Subtle for a moment and just as quickly gone
the true colors of leaves
are defined
and we see the extraordinary in the mundane
beauty in the ordinary.

Rich autumn colors come inside
bringing warmth to a silver
afternoon
I cling to color
as the landscape turns gold
than gray
watching  the
last remnant of flame
fade

It’s sad to see its wings
useless
how many miles
had passed?
last winter it hung
trembling with
others of its kind
and it belonged
somewhere
in Mexico
waiting to make the trip
back
only to lay on the concrete
spent

The final shaft of light

autum
the final stained glass
window
a remnant of spring
fading

 









Fear of the Canvas

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I’ve just realized why I have been avoiding painting recently, not really avoiding it but just having a harder time settling down. Many of the works have been in progress for quite a while so getting back to them is often like picking up a strangers painting.

The amazing point is when suddenly you stop thinking about what you need to do and just start slashing at the canvas with purpose. There are unseen shapes and connections of shapes that come out of the surface of the paint and you fill in the blanks instinctively.

A stumbling block is the fear, especially when you like what you’ve started but there is no room for timid strokes in painting or anything else creative. Once you stop and think or attempt the safe way you might as well save painting for later.

Painting should be bold, excited and even a bit reckless. My thought is every painting is a potential mistake that will never see the light of day. This is the time you learn the most, when you are free to forcefully and confidently paint without fear of failure.

One particular technique that takes a lot of time going back and forth is the light on water, it starts out overly dramatic and slowly becomes more realistic. There are points where the light seems right, others when there seems to be a bump in the horizon and you have confidently fix the problems and continue to focus while you see the image you’ve been working on go from good to worse to good again.

Another aspect is painting objects, straight lines and architecture, something that often needs to be reworked and perfected. You are happy with the background and suddenly you’ve just destroyed it with the object that you overlapped-often the background needs to be reworked with the object as you work to perfect both.

I am excited about the process and while I continue to get bits of time to paint, I am adding to an already large painting list. Let me know what you think of the new images.
swallowspsd









Painting: Deliberate until something develops

undertheseasm

There are so many different feelings when you paint, sometimes it’s pushing paint around, sometimes it’s deliberate, even mechanical and sometimes it’s instinctual, tonight’s  sitting was a little bit of all of them.

I started with an under painting and it was one of the more deliberate paintings I’ve started, unfortunately I didn’t have the full picture, just an idea of clouds moving forward over the viewers head. The actual image is from real life, I have photographs for reference but I’m not completely sure where the clouds end and what the landscape looks like.

I painted the background with perspective lines, every form, every color and every space will be designed with the idea of perspective and I want the viewer to feel overwhelmed by the clouds overhead.

As I tend to do, I switched gears after finishing a monochromatic under painting I turned to the painting of a scene from beneath Shark River Inlet in Belmar New Jersey. This painting was inspired thirty plus years ago and it still stood clear.

I painted with a clear feeling of purpose but as suddenly as it began it ends and I wasn’t sure if I was done with the painting or should start all over. The problem is the idea and image is strong but the recollection is so hard to bring back to mind. I will continue to study it until I know it’s either done or time to start over.

Another thing about painting, sometimes you feel like you’ve created your best work and sometimes the same painting looks like a mistake. I got back to the grackles above the city, an image that I started at the end of the last series, again I had that feeling of instinct kick in and for thirty minutes or so I painted like I figured out the problem.

None of the paintings are finished but I feel like I’m shaking off the stagnation and getting in the process. The most exciting thing about painting instinctual is that images appear that you didn’t necessarily know you were creating they just come out of the details you’ve worked in feverishly.

I’m excited about this series and feel it will be a huge step toward my future painting style and feel.

Stay tuned, more paintings coming very soon.

gracklessm









Back to the Artists Studio

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Last night I finally started painting again. The excitement and inspiration spilled over into the next day. It is a liberating feeling after being stifled for so long and suddenly it all makes sense.

I think the only negative is that suddenly there are more ideas, images and concepts than I can get done in the time available. This is when my lists get overwhelming.

I first started on the third in a series of swallow paintings. The work is smaller than the two previous but more detailed, with a larger population of swallows than the previous paintings.

The name of the work is the celebration, it is a scene from a local bridge in Rowlett after the spring rain. I saw a swarm of swallows that surrounded the bridge and flew under and around the structure. There was a feeling of excitement; nature in celebration, the drought was finally over.

The second painting I work on was a brand new painting called calvary The last time I went to church, I had an amazing image of calvary surrounded by stained glass. This is going to be one of my most colorful paintings and it is a bit of a departure from previous works.

I’m very excited about finally getting back to work and I can’t wait to see the new views as they become real.









The Extraordinary Life

cloudssm

What does the extraordinary life look like and how much does it cost? An easy question with too many answers and each answer is very subjective.

This is the beginning of a series on living larger and experiencing more. I plan on highlighting individuals that typify a lifestyle that defies convention. The first thing I need to do is define what that life looks like, for myself if no one else.

The first word that comes to mind, for me, is freedom. Again, what is freedom and how do we go about truly feeling its reward. I think it’s appropriate that I would start something like this on the eve of Independence Day.

I want the freedom of going places, of seeing new things and experiencing foods and cultures. I want to write, paint and photograph about the experiences and bring them to my readers with a personal perspective that they can relate to.

My first objective to this quest is seeking clarity and focus, to not only define it but to take steps that would make it possible. We are in a world that is loud, always something pressing, always useless distractions hiding our purpose.

I am in the process of learning from others who have embarked on the same journey. Experiences that others can share will allow many of the mistakes and pitfalls to possibly be avoided and it will give me the knowledge to take the next step.

Next, I believe discipline is necessary, which is strange coming from a creative mind but creativity without some sort of discipline or organization is madness. I plan on learning to be more organized, more deliberate and perhaps the creativity will follow.

I recently read 101 ways to monetize your blog and ways to increase income. I will create a long term list of goals much like a business plan.

So now you have the plan, now what? I think one of the first things is to remove the fear and doubt. Again, listening to others, learning more about the journey will instill the confidence to ignore the programmed expectations we are taught from birth. Stay tuned for the next post on Doubt!









The Sublime Magazine article on Artbygordon

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See full issue!

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My First Blog and Marketing Artwork-So Many Things to Learn

How do you start blogging about art? How do you explain a process that you have been so involved with for so many years it feels like second nature. I would venture to guess that you would blog about the change from conventional art, painting and pastels to the
Creation of art through the computer and the marketing of art through the internet.  I recently launched my website, www.artbygordon.com,  something I had been talking about for many years and I was so happy to finally complete a task-I tend to procrastinate and I have so many different ideas for writing, poetry, art and photography, half the time I write them down and they never get completed. Starting to blog was something that has been on my list for a long time as well.
So the process starts with a website that is by all counts awkard-inconsistencies in fonts,
Lack of search engine keywords which is just as well for now as I  am trying to clean up the site and perfect the appearance before I start spreading the word. I have learned more in the last few days of working with the HTML code and editing the Meta tags and it seems every time I think I get the idea I learn something else. I don’t believe you spread the  word or market artwork by just spreading it to friends, I believe it’s a start as word of mouth is important but how do you spread the site to people that want to buy art or even learn more about you as an artist. I have learned that launching the site is such a small step in marketing and the information I am picking up will be instrumental in how I market and show my artwork. Some ideas on the horizon are an interactive gallery, a poetry blog and a photography page and I know that when doing all of these processes I will learn more from the process itself.
I have been on a bit of a break from painting which I think makes it a good time to market what I have already created but more than selling art and marketing the art is learning about the process of marketing. I will venture more into the social media aspect and actually learn more about the people that would want to buy art. I will, in the near
Future, have an art show whether it be online or at a festival and I will blog and tweet and post with the idea of seeing where I get the most interest. I tought myself to paint and believe that is how I learn the best. Doing web marketing is just another growth process
And over the next few months I will describe the options I’ve learned about social media,
Google tools and the process of what I hope will eventually be effective self marketing of my painting, photography and writing. I am excited about the prospect and hope to gain followers with interest. I guess we’ll just have to see.