Tag Archives: artist block

Rediscovering the Artist Eye: Diversions are Part of the Process

The artist’s eye – This image is from a night of camping with my son at Lake Murray-we both played on the cold, hard rocks and watched the moon rise-it has become his favorite painting. Artbygordon 2013

I just started a new painting about the night sky, just did a simple underpainting of trees in the front yard with a moon and star-filled sky.

The more I get back to painting, the more I find myself seeking a graphic element, simple and more abstract. In the past it was more about mood and peripherals and now it is about the shapes and how they interplay.

Photography of light and simple shapes-probably an evolution that is effecting my paintings. I enjoy the contrast of light and shadows and the simplicity of objects. Original Photography by Artbygordon 2018

I’ve been admiring too much abstract images I guess. I’ve also been seeking how light interplays with objects in my photography, which seems to be a principle in the new/old series.

I am getting back to several images of water-they all were somewhat complete but I was never completely pleased with them. It is amazing to me how much an image literally plays itself out while you paint.

There is the first obstacle of pushing paint around, overcomplicating what you see and over-explaining a simple principle of light and shadow.

The droplets on the rose are perfect example of how it is not overcomplicated creating reflection and light-it is a very subtle, simple rendering that delivers the best image.

When the subconscious overrides the conscious and truly sees and renders simple the image as it is-this is when the hand and the brain tend to work independent of consciousness, the lines, forms and subtle detail seem to create themselves.

The Terns Artbygordon 2013: An older painting and the beginning of seeing things in shapes and abstracts

To show the progression of recent paintings, I need to go back to previous series. This is where the shape is becoming a bit more important than the feeling and depth of the water.

I feel like I am getting back to full circle, the paintings in the new series will have more detail in the water, more sharper contrasts of light and I will get back to the reason I loved the night sky and water.

The next post will be about the night sky with the newer images. I am excited about the new series and see my vision truly taking shape.

Fear of the Canvas

florida_intercoastal

Fear of the Canvas – I’ve just realized why I have been avoiding painting recently, not really avoiding it but just having a harder time settling down. Many of the works have been in progress for quite a while so getting back to them is often like picking up a strangers painting.

The amazing point is when suddenly you stop thinking about what you need to do and just start slashing at the canvas with purpose. There are unseen shapes and connections of shapes that come out of the surface of the paint and you fill in the blanks instinctively.

A stumbling block is the fear, especially when you like what you’ve started but there is no room for timid strokes in painting or anything else creative. Once you stop and think or attempt the safe way you might as well save painting for later.

Painting should be bold, excited and even a bit reckless. My thought is every painting is a potential mistake that will never see the light of day. This is the time you learn the most, when you are free to forcefully and confidently paint without fear of failure.

One particular technique that takes a lot of time going back and forth is the light on water, it starts out overly dramatic and slowly becomes more realistic. There are points where the light seems right, others when there seems to be a bump in the horizon and you have confidently fix the problems and continue to focus while you see the image you’ve been working on go from good to worse to good again.

Another aspect is painting objects, straight lines and architecture, something that often needs to be reworked and perfected. You are happy with the background and suddenly you’ve just destroyed it with the object that you overlapped-often the background needs to be reworked with the object as you work to perfect both.

I am excited about the process and while I continue to get bits of time to paint, I am adding to an already large painting list. Let me know what you think of the new images.
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