Tag Archives: original artwork

New Original Pastels for 2025

An addendum to New original Pastels for 2025- I am a lover and follower of nature-Artbygordon is a celebration of the beauty and mystery-in recent weeks, I am realizing my purpose in creating these pastel pieces.

Aspects I’ve learned about Pastels-

This is a large pastel of the Grand Canyon-it is on white paper but the beginning I was relying more on the memory- I was working on depth and colors but the contrast begins to blend in if you work over the image too much.

My next pastel in the works is a smaller pastel and on red paper-the brightness of the pastel will jump out of the red more and I will be more meticulous in going only once over an area.

The image of spring is more the ideas that I’m planning- the colors are vibrant and immediate-no overworking and blending in-very raw. I’m also planning on an ocean scene on blue or green.

Grand Canyon sketch in Pastel-artbygordon pastels 2025
Grand Canyon Study in Pastel
Spring 2025-Pastel on Paper
Spring pond pastel on paper-Artbygordon
  1. The less you work an image the better: Work from life and get the details together without working up the layers-the tooth of paper takes a certain amount of pastel and then it is hard to overlay color.
  2. Soft pastels can overlay paper that has been overworked: it just takes more work to perfect.
  3. Before you begin a pastel, have a plan: Know where the lights and darks will be and accurately capture how they react by going from life.

A New Series of Pastels 2024-2025

New original pastels for 2025 will be added to the Fine Art America site soon. A new direction in Pastels on paper for Artbygordon: A study of light and shadow. Previous studies in pastel were more for the scene, capturing often an imagined scene or something I wanted to convey of places I had been.

The approach now is more of capturing a technique and taking the approach to see how far I can get adding light to a subject. I want the viewer to look at the work and not understand where the light is coming from. Every time I think I have accomplished this technique, another idea comes to me and I start another pastel.

The images of the light are all from one area on Scenic Drive in Rowlett, Texas-the light on Lake Ray Hubbard in the morning lights up the lake and you can barely see because it’s so bright. This intense brightness is what I have worked on creating in the these pastels.

Inspiration for Isolating light-Scenic Drive Rowlett, Texas

I am in the process of reviewing pastel brands.  I’m reviewing on brilliance, permanence and ease of use-Ie Sloppy, clean, soft or too hard.
Check out my blog

 

Original Pastels on Paper in the works

Original pastel on paper – I’ve been doing a lot of pastels on black strathmore, but there is something missing, the darkness makes the colors pop but the light from pastel on white creates a light that shows through. Each process has it’s own plus and minus.

The wren on a rain barrel is a painting from an idea that has been waiting for more then thirty years to be finished. The original was on a large dark underpainting that turned into an autumn scene.

Dark purple background where leaves were supposed to be falling on water instead became the backdrop for a forest and then a log in a small stream. The idea went into the redevelopment stage and  has been silent for many years.

Wren on rainbarrel - Original pastel on paper
Wren on rainbarrel – Original pastel on paper

The original idea, which didn’t include the wren, was how the ghosts of past autumns rise and fall beneath the surface of the water. It is how I started painting water, like the night sky there is something mysterious about the two different planes that react-the surface, the darkness beneath and the light above.

The next pastel is still a work in progress-it is capturing light on the water and how the sun appears bluish beneath the white but there is no ability to look directly at it, I wanted the viewer to feel the feeling of squinting the eyes to look at the scene.

I want the light to be tangible and almost adds another dimension of temperature to a flat plane. I am still in the process of working the darks against the lights.

Original Pastel of sun on water
Original Pastel of sun on water

Pet Portraits-original pastels on paper

The last pastel is something I want to do more of. I liked the dark brown beneath and how the two figures jump out of the background. I love the way portraits force perfection. There is no good enough, the image either resembles what you are seeing or it doesn’t.

My ability to see detail has improved and portraits are much faster than they have ever been with no initial sketching preceding the final image. Without the initial sketching for placement, it makes for a cleaner less overworked image.

A poem on the subject 

Artist on the Edge of Surreal: Exploring Darker Moments

Depression: An Emotional Storm

My intention has always been to create art that was realistic and once I attained a certain skill level I would just tweak reality, just enough to make the viewer a little off kilter.

It probably stems from years of depression which, although is part of the creative process, also makes the person feel off center. The paintings that approach surreal are a bit more dark but nothing too obvious.

Moonflower is a painting of the morning glories, moon flowers, which only bloom at night. I wanted to share a bit of the darkness and mystery of evening but I wanted the flowers to have a bit of a magical feeling to them.

The willow tree is a tree from my youth. It makes it into most of my paintings and is a bit of a symbol of time spent in New Jersey. The dark green lawn in the summer beneath the shadows of tall dark willow trees.

The same trees were struck by lightning and ended up becoming outdoor furniture where many of my very old poems were written on copied on.

The Grackles 2018

Blackbirds are a consistent subject in both my paintings and writing. They are mysterious as the night sky and symbolic of impending doom.

Halloween 2016

Alone in Wylie


Halloween 2016

Halloween has always been a subject as every year I see a different feeling to capture. I love the dark evening and the idea of goblins in the trees, I have always been a big fan of horror movies and my uncle used to buy my brother and I horror comic books and the feeling and thrill of being scared has continued through my writing and painting.

Child of Ten

Child of ten is a diary of sorts, my dad died when I was ten. This is a painting of the effects of losing a parent at the age of ten. There are many symbols including the egg which represents the soul. Again the blackbirds are in the field and the child watches the future unfold.

The death of my father was a catalyst for much of my earlier writing and has only recently shown up in paintings.

Grandfather’s Willow

This painting is from a dream when I was very young. My grandfather came out of a willow tree as the lightning hit the tree. The red flannel shirt is from the dream and I remembered the shattered bits of wood-I am planning on another attempt at this painting as the face wasn’t quite correct.

Many older painting ideas are now resurfacing as I begin to gain more confidence. I plan on creating a more concise series on the surreal side.

 

Celebration: Third in a Series of Paintings of Swallows

Celebration: Series of Swallows – Birds are not only a passion of mine they represent nature and often are the most accessible species in the suburban backyard. I remember going to my grandmothers’ in Orange New Jersey-out of the a concrete landscape of the city there were birds, not many but enough to offer some nature amidst concrete.

Over the years of writing and painting, certain birds have become symbolic in my work. The two most prominent are blackbirds and owls but recently the swallow has sparked my interest.

There is a song by Sparklehorse called the pain birds and on the album Good Morning Spider is a swallow. The first in the series is actually called the painbirds and it was during a time of great upheaval in my life.

The painting sat on the wall unfinished for more than a year, just the bridge and the water. I knew it was going to be swallows but I just couldn’t decide how and where the birds would appear. Next came the purple passion vine, a very religiously significant plant that I collect, all of these elements finally gelled and the Painbirds was born.

The second in the series came about with a lot less symbolism. I focused more on the relationship of two birds on a wire and the landscape that expanded behind them. Again, it sat unfinished for a long time as the image came together.

The problem is that the initial idea is filled with excitement and direction but after some time the overall details fade. This is why I can’t paint when I feel like painting, it seems you either see the details and textures and the way they need to be rendered or you don’t.

Birds on a Wire was the second in the series and it was just as large as the first one. Notice the change in colors, the richness and warmth replaces the cools and somewhat melancholy of the pain birds, it was a bit more comfortable time in my life and I believe I was much happier. The sunset does have a bit of symbolism of change and the possibilities of tomorrow and becoming comfortable with things ending.

The last in the series is the Celebration. I watched as the recent drought ended and Lake Ray Hubbard was full again, the swallows swarmed the bridge as if they were celebrating the end of the drought. It is the smallest painting of the three with the most birds.

It also marks a time where I am getting back to water at its simplest aspect. I wanted to get back to the way I used to paint water. I have recently departed from the clarity and depth and explored bright colors and reflections. I am going back to the basics and why I started painting water in the first place.

I have several paintings in the works, one is of grackles, another of egrets, I am getting back to studying nature with more depth and understanding. I am also working on some abstract images that are a bit less about nature and more about the human condition.

Stay tuned and please let me know which of the series you prefer and why.

Abstractions of Nature – Contemporary Art for Home and Office

Artbygordon abstractions of nature become art for home and office: Naturally Graphic

Abstractions of Nature – I love the patterns in nature. As an artist, finding a unique perspective that can show a viewer something they might not have seen before is a large part of my artistic intent.

I have always painted landscapes and seascapes but I could never perfect what is already real. I am competing with the greatest artist of them all: God. All I can hope for is to show the viewer an aspect of that image that moved me and perhaps move the viewer with the same or varied feeling.

As I have been photographing more regularly, I have found the need to see deeper than just the landscape. Especially when the light does not cooperate with the subject or doesn’t show up at all.

I learned to isolate parts of nature when my desire to photograph didn’t lend itself to the light of the day. On a gray winter day, when there is nothing but flat, bland light and no objects are discernible by any effective modeling,  I have discovered a new way of seeing the landscape.

I started seeing how images were painted by stray bits of light. Suddenly instead of a bland landscape, I was able to find just a piece of that landscape that could be a graphic object. I don’t even care if the final image is discernible, it is more the aspect of its abstract nature that intrigues me.

modern interior room with a beautiful furniture

I have started gathering autumn leaves, green leaves and patterns in water, in the past I would  have struggled to find something in abstract but now the image jumps out at me. It’s a muscle and to strengthen this way of seeing the landscape has changed my whole outlook on contemporary art.

I believe that bringing nature into the house can evoke a calm center as well as a conversation piece for visitors. I like how without representing a specific subject, the image evokes something without trying too hard to be abstract or artsy. I have found my way to the abstract and contemporary subject.

 

Interiors are from Adobe Stock-Photographic art Artbygordon

The Sublime Magazine article on Artbygordon

An article in The Sublime Magazine

An article with images and text about artbygordon.com in The Sublime Magazine.

Cover of The Sublime Art Mazazine 2015

Artbygordon The Sublime Art Magazine
Artbygordon The Sublime Art Magazine

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