All posts by artiststevel

Oil Painting: How to Do an Underpainting and Why

Can’t you just paint a canvas without an underpainting, yes, you can but…
there are reasons and things you might miss.

Blue Print of a Painting:

First, an underpainting will give you a sense of layout, color, tone and composition. You may eventually lose the underpainting but the initial process is figuring your place on the canvas, deciding how the elements and colors work together.

Oil Painting: Underpainting and Why you should do it-Original oil of Chickadees and Sunflowers

A Base for a Structure:

Just as you build a foundation for a house, an underpainting will give the paint a structure to adhere to. It fills in the canvas textures to the level you are planning-an underpainting gives a base much like priming a wall.

The difference in priming a wall and painting an underpainting is that the texture and flow of your strokes should begin at this state, it should not be an even paint coverage, it is all dependent on your style and stroke. You can learn alot about your creative vision through the underpainting process.

Magic of Colors:

This is truly the magical part….colors show through depending on your intent. You will lay transparent glazes over the initial underpainting and colors will begin to change.

Nature and painting is all about subtleties of shadows, the flickering of colors that either complement or repel- this subtle manipulation of overlayed colors and underpainting is how you create illusions that vibrate when the viewer sees the painting.

It makes a good painting a great painting because the artist’s soul and intent vibrates with the colors, tones and hidden keys that are all weaved into the overlay.

Enjoy the Process: With Intention

I would teach someone to enjoy the underpainting, it is the most free part of the painting. Try not to muddy it up but use very light and transparent washes of more medium than paint.

In this stage you can adjust, allow yourself the freedom to play, to have expectations of what colors will become when you overlay other washes.
Experiment with the layers of paint, the texture and the consistency of the oil.

The great thing is, it’s an underpainting. It will become whatever you want it to be. The painting is yours and yours alone, don’t fear the process. It should be as creative as the idea that inspired painting in the first place.

My next post will be about Oil Painting- DON’T BE AFRAID- it’s oil, more forgiving than Acryllics and definitely watercolor. YOU GOT THIS.

I have been creating original art in oil on canvas and pastel on paper. I want my students to enjoy the process. Creativity should not be something you have to work hard to be perfect-perfection is allowing yourself the freedom to explore-that’s where brilliance emerges.

For more on Teaching Painting

A Return to the Blackland Prairie Raptor Center: Rekindling My Love of Nature

I went to the Raptor Center in Lucas yesterday. It was the first time in a long while I made it for the bird display. The Texas heat still played a large factor in reminding me why I tend to isolate during this season.

I went minimalist this time, just my I Phone-not with the telephoto opportunities I had previously, but this trip was more about being present rather than photography.

I listened to the presentation and was excited to see so many people, young and old appreciating nature and the birds did not disappoint even in the heat.

Mississipi Kites In North Texas

A Mississipi Kite sunned itself during the presentation, he really enjoyed the heat. I learned something- a Mississippi Kite usually has bright red eyes and it’s because of the red insects they eat in South America, since this one does not, it’s eyes lack the red tint. This is much like the flamingos that pass through South America, they are extra pink from the shrimp they feed on.

There is always something to learn on these trips, no matter what you think you know, there is so much more to discover.

The Vulture is Petunia and what a wonderful character she is, I had met her before but it was fun to watch her antics.

The Center is named after the Blackland Prairie- a shrinking treasure that they are in the process of conserving. It is important to get young children involved, to learn about their environment, to grow their passion for the planet.

Despite the heat, I took an opportunity to walk along the path and take just a moment to enjoy nature and an unspoiled landscape.

Thistle, Partridge Pea and Euphorbia, all elements of the landscape made for striking images, even just using my phone.

I have been to the center on several other occassions, please check out the previous trips.

Visiting the Blackland Prairie Raptor Center

Another exciting project I am embarking on is a series of raptor images from the all the trips to this wonderful place in Lucas, Texas. I will be creating a series of small notecards on the species and will donate the images for them to use however they see fit.

New Original Pastels for 2025

An addendum to New original Pastels for 2025- I am a lover and follower of nature-Artbygordon is a celebration of the beauty and mystery-in recent weeks, I am realizing my purpose in creating these pastel pieces.

Aspects I’ve learned about Pastels-

This is a large pastel of the Grand Canyon-it is on white paper but the beginning I was relying more on the memory- I was working on depth and colors but the contrast begins to blend in if you work over the image too much.

My next pastel in the works is a smaller pastel and on red paper-the brightness of the pastel will jump out of the red more and I will be more meticulous in going only once over an area.

The image of spring is more the ideas that I’m planning- the colors are vibrant and immediate-no overworking and blending in-very raw. I’m also planning on an ocean scene on blue or green.

Grand Canyon sketch in Pastel-artbygordon pastels 2025
Grand Canyon Study in Pastel

Spring 2025-Pastel on Paper
Spring pond pastel on paper-Artbygordon

  1. The less you work an image the better: Work from life and get the details together without working up the layers-the tooth of paper takes a certain amount of pastel and then it is hard to overlay color.
  2. Soft pastels can overlay paper that has been overworked: it just takes more work to perfect.
  3. Before you begin a pastel, have a plan: Know where the lights and darks will be and accurately capture how they react by going from life.

A New Series of Pastels 2024-2025

New original pastels for 2025 will be added to the Fine Art America site soon. A new direction in Pastels on paper for Artbygordon: A study of light and shadow. Previous studies in pastel were more for the scene, capturing often an imagined scene or something I wanted to convey of places I had been.

The approach now is more of capturing a technique and taking the approach to see how far I can get adding light to a subject. I want the viewer to look at the work and not understand where the light is coming from. Every time I think I have accomplished this technique, another idea comes to me and I start another pastel.

The images of the light are all from one area on Scenic Drive in Rowlett, Texas-the light on Lake Ray Hubbard in the morning lights up the lake and you can barely see because it’s so bright. This intense brightness is what I have worked on creating in the these pastels.

Inspiration for Isolating light-Scenic Drive Rowlett, Texas

I am in the process of reviewing pastel brands.  I’m reviewing on brilliance, permanence and ease of use-Ie Sloppy, clean, soft or too hard.
Check out my blog

 

2025: Creative changes for 2025

The end of 2024 was full of change, creative changes are in swing for 2025. Lots of elements all coming together with a purpose. I am working on launching a series on Artist to Artist-questions to the creative community from an artist.

I believe we all have a very common mechanism that affects creativity with many intricate differences we could all learn from.

How do you navigate the beauty of seeing the world with sensitivity and a craving for beauty.

Creative changes for 2025: IGhost Cover
Ghost Cover

Not only are there similarities in how we view the world but the feeling of being creative often has the same obstacles and advantages for many and I aim to document this from artists of all mediums, backgrounds and stages of their careers.

R.L. Clayton has published his latest book- IGhost and we have already had two podcasts about our story of working together to create a library of books. See other BookedUp

Another podcast is in the works- and a featured page on Magnificent Authors–

Creative changes for 2025: Featured author spot
Featured Author Spot

I am in the process of bring old pastels and paintings back to life and really enjoying the experience. 2025 looks like it will be a year of growth and change.

 

2025- A new year for success

I am looking ahead to local art events as 2025 has just begun . I will attend and get involved in local art organizations as well as displaying and entering in contests.

Join Contests: Biafarin

I have entered the fight against Cancer contest and got into the exhibition. Cancer- Never Give Up

Cancer 2024 never give up
Window of Hope 2024 Pastel on paper- 12×18

Elemental
Elemental was created for a contest on elements of nature

I am about to enter the Light contest as well with recent pastels.

It is a totally different feeling to create specifically for a prompt though it really depends, can I see the image in my mind and if I can will it capture the idea that I am trying to describe. It is a great
challenge and experiment for my creative eye.

I am starting to allow myself the privilege to paint, sketch, create, whatever moves me at the moment without any need to censor. I am better at not censoring my words rather than my art.

I’ve always been skeptical of inspiration by prompt. The inspiration finds its image in its own time and place and does not allow for deadlines or prompting.

Local Involvement

Recently I  joined the Rockwall Art League- =
I haven’t participated but I am excited to start joining and participating in local art causes and events. I had previously  joined the Rowlett- Artist Round Texas and have competed in their plein Air show- Paint Rowlett which I plan on entering this year as well.

The gull image won a purchase prize as well as third place in its category and the horse image was from a previous year and won an honorable mention.

Laughing gulls in black ink on paper
Original ink on paper of laughing gulls-sold -paint Rowlett

Sketch of horse-original art on paper
sketch of horse

Wisdom of Sages:

I have embarked on an exciting journey to find my passion and it can be very overwhelming. I believe with the help of Kira Day from the The Passion Centre Inc.– we might be on to something.

I have already begun writing a new series of poems called The Landlord-Passion Sessions and it is a collection of poems about finding all the different elements in my creativity and allowing them to coexist.

Local Art Involvement

This next Thursday, I will be attending the LBT Gallery at the Tower Club in Dallas. I attended the Dallas Business Council of Arts  Canine Conversations art show and it was very enjoyable event.

 

Art Happenings Now

Art Happenings Now- a page to share what is in the works- I am excited about joining Biafarin and Cafe as well to showcase my artwork. I am in the process of getting more engaged in the community and have signed up for Artist’s League of Rockwall.

Sketch of horse-original art on paper
sketch of horse

I have just recently participated in the Paint Rowlett Contest and won a third place and purchase award for my laughing gulls. I have been in this competition for the last few years and have previously included sketching and oil paintings. The sketch of the horse won an honorable mention in a previous ceremony.

Laughing gulls in black ink on paper
Original ink on paper of laughing gulls-sold -paint Rowlett

Painting specifically for a contest is a whole new way of creating. I love the difference in how the inspiration develops into original art.

Art Happenings Now - Cancer 2024 never give up

Window of Hope 2024 Pastel on paper- 12x18To Check out the exhibition. Art Happenings Now- what is currently in process for my art, etc.

https://www.instagram.com/reel/DAl5AbGyNhx

Hi all;

My artwork named ‘Rise from Turbulence: Window of Hope‘. It is now being showcased at Cancer – 2024 exhibition. A show organized by Gallerium and powered by @Biafarin platform.

To learn more, please visit:

@biafarin #biafarin #biafarinart #StevenLinebaugh #Illustration #biafarinonlinesales #onlineartsales #buyartonline #onlineart #artonline #onlineartgallery #sellart #sellartonline #onlineartshop #onlineartstore #onlineartexhibition #onlineartshow #onlineartist #artmarketing #artmarketingservice #Gallerium @galleriumart #galleriumart @linebaughsteven

Art Tells A Story

Art – an Emotional Response

House in Sachse 2018
House in Sachse 2018

Art Tells a Story – Surrealism

For many years I have worked to paint realistically so I could eventually bend it even just a bit. My paintings have an underlying theme of darkness, loneliness and separation.

Moon Flower-Oil on Canvas
Moon Flower Oil on canvas 2018

It is intentional creating a feeling or emotion in art but just like creating words if the creative thinks of what they want to say the logical mind supersedes and all nuance is lost.

My Experimentation isn’t as much with painting as it is with writing for example, the use of music to separate the logic from the creative word. I have listened to music in the background that definitely affected the finished artwork but it was never specifically intentional.


Art from Dreams

I had a dream when I was very young- this is my grandfather and lightning hit the tree. Pops-as we called him-came out of the sawdust in a red flannel shirt. There was something ominous about this particular dream because one day long after the dream a lighting hit the willow in our backyard. This is the same willow in the Child of Ten painting below.

This post is about paintings that tell a story. I have often avoided this kind of art because I prefer to let the viewer make their own conclusions or stories from their own experiences.

I started the painting,  Child of Ten-several months before it was complete because the inspiration had to develop over time.

Child of Ten
Child of Ten- the death of my father inspired this painting

In this painting there is a recurring theme that I’ve included in many of my paintings: the blackbirds. The viewer goes into the ground and even into the casket to see a mirror of myself and how his death affected me and also that a large part of my childhood rests with him. The egg is a symbol of the soul, the moth is the death moth and a connection to nature. There are poems included in the right side and other symbols of the feeling of loss and a struggle with his absence. The tree behind the child is the Willow Tree in my backyard in an idyllic landscape a stark contrast to the depths of the grave.


Art and Recurring Themes: Blackbirds

My writing is inspired by loss. Losing a parent at an early age probably made me more of a poet or writer than I would have been otherwise:  it is changed me greatly.

In the family plot all are the same

from who they were or when they came.

A pine box but no words etched.

Only a presence we can’t forget.

A whisper and the wind lifts

an ember to a light place in the night sky

The poet, the writer, passes by…

The blackbirds make their appearance. I always have that haunted feeling when it comes to loss, death as growing up I realized darkness just as clearly and beautifully as light.

Grackles on a wire
Original Oil on canvas: The Grackles

These paintings were foreshadowed in a post back in 2018 on an original blog I had started. It describes the Child of Ten as well as several other paintings that finally came to be and it was on draft since 2018.


Art- a Story While Scuba Diving

A painting and a sketch of the black fish at Shark River Inlet. I mentioned this art in the post from 2018.

For more pastels from this series go to the blog-it is the original  blog


Art for a Contest About Fighting Cancer

A recent pastel on Paper Window of Hope created for Cancer Art Contest from Biafarin

Window of Hope 2024 Pastel on paper- 12×18

 

Artist Closeup- Feature

My Painting, Dante in Oakland is a Artist Closeup feature in the Contemporary Art Magazine page 103- Check it out.

Artist Closeup Magazine

 

Artist Closeup- Feature-Dantes' Window
Original Oil on canvas: Dantes’ Window

For more stories about California and my time in Oakland CA

A trip to Oakland with my Son

A Solo trip to Oakland California

A Walk through Oakland

Milkweed, Chess, Social Media – LIfe Lessons

 Milkweed, Chess, Social Media – Life Lessons
Milkweed-Chess-Social Media: A pastel from the Desert

Milkweed-Chess-Social Media-Life Lessons

The pastel is a new pastel but the original inspiration was from a cross-country trip to California in 1989. I have two previous pastels of the same area and still have not captured the image I remember.

Often a picture takes a while to form, much like learning certain processes. Self-taught in most of my creative endeavors, it has taken many years to perfect my vision, technique and the ability to capture perspective.

Painting is on hiatus lately, in fact today I tried painting a cardinal Christmas ornament and it was a futile attempt. I believe the in-between time of mental block or lack of creativity is when we are in the valley of the learning process.

First we receive the information, next we digest it, when using the newly found logic, it is awkward and what is usually second nature becomes difficult because of the learning process.

Only after the knowledge and technique becomes second-nature does it turn into instinct instead of learning, this is when we have accomplished understanding.

Playing Chess: Learning Curves:

I have been playing chess and have been losing terribly to even players with smaller ratings and yet I lose miserably. I believe it is because the knowledge of new moves and understanding has to be perfected in the mind before it becomes second nature.

FIrst you question, then you experiment with what you think is the answer and only after the answer is engrained in your instinct is it actually a learned process.

The Process of Falling Down, Learning, Repeat

Some of the best lessons are learned from failing, trying again, failing again and only then realizing the process. I have been growing Milkweed from seed, first I failed with the seedlings until I learned what was killing them, than I failed the secondary plants that grew from the seedlings-I am just now realizing the process and understanding the why’s and how’s of gardening from seed, milkweed can be quite finicky.

Learning is a process, it can’t be rushed, it must be met with patience and a desire for the final outcome. Once we understand our failure, only then can we find the greatest success.

Creativity and Discipline

 

Creativity and discipline post-photo of Rocky Mountain National Park
From the Top of the Mountain in Rocky Mountain National Park

Creativity and Discipline – both have a symbiotic relationship – I’ve never been skilled at  paint by numbers nor coloring books. Staying in the lines was always so limiting, I was creative.

In elementary school, teachers allowed me the privilege to have lousy handwriting, afraid of stifling my creativity. This freedom has proved to be counterproductive.

When I started my career, I had to create lines, lots of lines that overlaid perfectly to separate images in yearbooks. I was forced to conform to the discipline of rules and that was a good thing.

Creativity needs discipline to keep tasks on track, to keep the vision from losing direction and to maintain the artists’ attention.

Stages of Creativity

There are three stages of creativity from my experience:

  1. The initial Inspiration: I see it, I want to say something about it, this can be reality, dreams or just completely from imagination. What follows is often varying degrees of time as the image develops.
  2. Writing with Patience: In my writing, it’s even worse-the story often becomes over a great amount of time and the story tends to explain itself. I am usually only given clues to what may happen.
  3. First Sketch / Underpainting: I create the underpainting or often a sketch in a notebook. This stage can literally last for years if nothing else shows itself clearly. I have so many notebooks filled and underpaintings hanging  on the wall.
  4. The Final: A shift occurs, suddenly all the images that were not clear find clarity. I believe that with discipline this process can be shorted as attention needs to be focused but this is just a theory.

Creativity and Discipline are Integral to Success

There is a magical  state that occurs in the center of creating  and that is when I know where every dab of color is supposed to go, it’s like paint by numbers without the lines. When observing a painting afterwards, there are often lines and highlights that are completely intangible to the artist but that is the magic of completely disappearing into a work.