SMilkweed, Chess, Social Media – Life Lessons

Milkweed-Chess-Social Media-Life Lessons

The pastel is a new pastel but the original inspiration was from a cross-country trip to California in 1989. I have two previous pastels of the same area and still have not captured the image I remember.

Often a picture takes a while to form, much like learning certain processes. Self-taught in most of my creative endeavors, it has taken many years to perfect my vision, technique and the ability to capture perspective.

Painting is on hiatus lately, in fact today I tried painting a cardinal Christmas ornament and it was a futile attempt. I believe the in-between time of mental block or lack of creativity is when we are in the valley of the learning process.

First we receive the information, next we digest it, when using the newly found logic, it is awkward and what is usually second nature becomes difficult because of the learning process.

Only after the knowledge and technique becomes second-nature does it turn into instinct instead of learning, this is when we have accomplished understanding.

Playing Chess: Learning Curves:

I have been playing chess and have been losing terribly to even players with smaller ratings and yet I lose miserably. I believe it is because the knowledge of new moves and understanding has to be perfected in the mind before it becomes second nature.

FIrst you question, then you experiment with what you think is the answer and only after the answer is engrained in your instinct is it actually a learned process.

Some of the best lessons are learned from failing, trying again, failing again and only then realizing the process. I have been growing Milkweed from seed, first I failed with the seedlings until I learned what was killing them, than I failed the secondary plants that grew from the seedlings-I am just now realizing the process and understanding the why’s and how’s of gardening from seed, milkweed can be quite finicky.

Learning is a process, it can’t be rushed, it must be met with patience and a desire for the final outcome. Once we understand our failure, only then can we find the greatest success.

 

Creativity and Discipline – both have a symbiotic relationship – I’ve never been skilled at  paint by numbers nor coloring books. Staying in the lines was always so limiting, I was creative.

In elementary school, teachers allowed me the privilege to have lousy handwriting, afraid of stifling my creativity. This freedom has proved to be counterproductive.

When I started my career, I had to create lines, lots of lines that overlaid perfectly to separate images in yearbooks. I was forced to conform to the discipline of rules and that was a good thing.

Creativity needs discipline to keep tasks on track, to keep the vision from losing direction and to maintain the artists’ attention.

Stages of Creativity

There are three stages of creativity from my experience:

1. The initial Inspiration: I see it, I want to say something about it, this can be reality, dreams or just completely from imagination. What follows is often varying degrees of time as the image develops.
2. Writing with Patience: In my writing, it’s even worse-the story often becomes over a great amount of time and the story tends to explain itself. I am usually only given clues to what may happen.
3. First Sketch / Underpainting: I create the underpainting or often a sketch in a notebook. This stage can literally last for years if nothing else shows itself clearly. I have so many notebooks filled and underpaintings hanging  on the wall.
4. The Final: A shift occurs, suddenly all the images that were not clear find clarity. I believe that with discipline this process can be shorted as attention needs to be focused but this is just a theory.

Creativity and Discipline are Integral to Success

There is a magical  state that occurs in the center of creating  and that is when I know where every dab of color is supposed to go, it’s like paint by numbers without the lines. When observing a painting afterwards, there are often lines and highlights that are completely intangible to the artist but that is the magic of completely disappearing into a work.

 

Why join a group? The Perks of a Collective

– Be a part of a artist or writers guild? There are good reasons we seek to be connected and it’s not always self-serving.

We Have the Answers – Sometimes We Just Need to Collect Them

Every business avenue or decision we make has had someone seeking the same answers. We all fail, fall down and get up with more wisdoms to carry along our journey.

Instead of learning from our mistakes, with all the information that is out there, we can learn instead from others mistakes and maybe save time and money in the process.

https://ntbca.org/   A Non-Profit who works with Dallas Businesses and Local Artists.

Artist Round In Rockwall

We Have Less Credibility If We Go Alone

The news travels pretty quick these days as does information. You tell two friends and they tell theirs, suddenly you have influence, people believe you have something worth saying.

Get a group to buy in on the same ideas and values and you have a union that is mutually beneficial for all.

A great place to connect with for art promotion

Artpromotivate.com

Share Good Content, Get Good Content

I believe if you share good content and help others with their problems, they are more likely to be available to help you with yours.

We are so much more of a collective of individuals, each bringing our own ideas from unique experiences, a team can not only do more than an individual can, they can share from experiences and perspectives you may not even have thought of.

My Experience with SEO, Social, Etc.

There is a time to seek professionals and pay them what they’re worth. Unfortunately, often capital can be a deciding factor but we as creatives should be doing our creative work, not marketing-each is a full time job.

Learn from Masters, Surround Yourself with People Who Know Things.

You can learn much if you surround yourself with people who are smarter than yourself. Give them tasks, make sure they are as invested as you are and you have a business that will grow and benefit all involved.

Bad Timing – Would you buy a new car and go on a trip if you knew you were about to lose your job? Probably not the best financial decision but a timely decision in retrospect.

The truth: there is never a good time to make a change as much as there is never true security in working for anyone. There will never be a good time to go off the grid, to experience life, to take chances.

My situation was a total ignorance of my tenuous position but it allowed me to go out and take a wonderful trip that made me realize exactly what I wanted to do for the rest of my life: travel.

I have always travelled with my son or with family. As my son was growing up and finding his own path, I had a sneak preview of mine. Traveling alone is quite liberating and a metaphor for making your own decisions, choosing your own path and breaking out of the norm.

I went to visit a friend in Pagosa Springs, Colorado. I learned about carry-on luggage and what they don’t tell you about buying a cheaper flight and found myself in God’s country.

To be out there, with only time, your own thoughts and decisions, it is a recipe for truly finding your peace and joy and the scenery was pretty spectacular as a stellar bonus.

Since than, I’ve lost my job, got an insurance license, sold insurance for ten months, quit my job with nothing but my own skills and a will to succeed to define the future.

2 Years now and I’m still here, starting an already growing business and finding my path in this life….sometimes the universe, God for me, shakes you from your safe state and gives just a glimpse of the future.

You can choose to ignore your passion or allow the future to clumsily break through the barriers of your own safety. Make decisions, choose your own path and faithfully let the future become where your purpose truly lies.

 

Original pastel on paper – I’ve been doing a lot of pastels on black strathmore, but there is something missing, the darkness makes the colors pop but the light from pastel on white creates a light that shows through. Each process has it’s own plus and minus.

The wren on a rain barrel is a painting from an idea that has been waiting for more then thirty years to be finished. The original was on a large dark underpainting that turned into an autumn scene.

Dark purple background where leaves were supposed to be falling on water instead became the backdrop for a forest and then a log in a small stream. The idea went into the redevelopment stage and  has been silent for many years.

The reason for the original idea, which didn’t include the wren, was how the ghosts of past autumns rise and fall beneath the surface of the water. It is probably the reason I started painting water in the first place, like the night sky there is something mysterious about the two different planes that react-the surface, the darkness beneath and the light above.

The next pastel is still a work in progress-it is capturing light on the water and how the sun appears bluish beneath the white but there is no ability to look directly at it, I wanted the viewer to feel the feeling of squinting the eyes to look at the scene.

I want the light to be tangible and almost adds another dimension of temperature to a flat plane. I am still in the process of working the darks against the lights.

The last pastel is something I want to do more of. I liked the dark brown beneath and how the two figures jump out of the background. I love the way portraits force perfection, there is no good enough, it either resembles what you are seeing or it doesn’t.

My ability to see detail has improved and portraits are much faster than they have ever been with no initial sketching preceding the final image. Without the initial sketching for placement, it makes for a cleaner less overworked image.

A poem on the subject