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A Lesson In Art and Perspective
A Lesson in Art: Distance and Perspective: There’s a cavern in California called the Moaning Caverns. My son and I explored it on a trip to California, when him and I were much younger. So what does the cavern have to do with a lesson in art and Perspective?
You can fit the Statue of Liberty-minus the pedestal- in the first and largest single cavern space in California but looking up you would never have imagined the space to be so large.
What is missing is perspective, large to small rocks, colors, etc-you know the distance is there but there are no cues to prove it to your eye. In creating art with depth, you also have no cues to explain distance and allow the viewer to truly experience the space you’ve created because it is on a flat dimension.
Have you ever photographed a great expanse of a landscape and you couldn’t understand why the results were less than spectacular compared to how it looked? It all has to do with cues that explain distance and perspective.
Art Lesson: Visual Cues act as Tools
In art you have several tools to explain to the viewer what you are trying to describe:
Color: The change in color denotes distance.
Value: The shades of color, intensity, etc. all show the viewer there is distance and gives the image its perspective.
Perspective: The eye sees images that get smaller as they sit further back into the distance, giving these cues give the viewer the dimension that is really just an illusion on a flat canvas.
Converging elements: To further support perspective-a line that moves through your image allows the viewers’ eye to go where you intend them to go and experience the image and the artists’ intention of space.
A work of art is much like an illusion a magician creates, the control and the process in which the Artist leads the viewer through the flat image will allow the viewer to experience a painting as it was intended.
HOMEWORK: Photograph an expansive landscape with no thought of perspective or color, etc. Next photograph the same landscape only instead choose a dominant image to showcase and allow that image to lead the viewers eye into the photo-make a note of the difference in the final product and share your experience.
Random acts of creativity: Where Inspiration meets kinetic
Random acts of creativity: Picture the most euphoric state you can imagine; the birth of a child, flying down a ski slope or a rollercoaster or the view of an awe-inspiring sunset and realize how transient that state is. This is what creativity is for me.
It is when everything aligns naturally and suddenly the strange riddle you’ve been deciphering becomes completely discernible. The riddle is inspiration-I equate it to craving something to eat but not quite able to decide what you are craving.
Photography: I have experienced this state of clarity in each medium I work with. My photography used to be, a love of landscapes which weren’t always available to shoot depending on the quality of light and time of day.
I would find an abstract pattern in nature but the image never quite meshed. In a landscape, you can plan for shapes and composition allowing lines to create depth and dimension for the viewer but how do you explain objects and make them have interest to the viewer.
So many attempts failed because I was missing the crucial aspect of the image-it wasn’t the shape, it wasn’t the color, instead it was how it interacted with light.
you just know you’ve captured something beautiful and the excitement is that transient state of seeing what’s invisible and showing it to the viewer.
Artbygordon 2019
As I continue to see nature beyond the larger scope of a landscape, the isolated image becomes more clear. I find myself noticing, even in the flattest, blandest afternoon light how something evokes an emotion or at least interest from a chaos of details.
After I shoot a landscape or an object, sometimes you just know you’ve captured something and the excitement is that transient state of seeing what’s invisible and capturing it for the viewer.
NEXT Post Creativity in Painting: Pushing Paint
The Artist’s WIndow: Isolating Light
Isolating Light – Light separated glistening white blooms of winter jasmine this morning. The image was beautiful as a whole but it was difficult to simplify and accentuate details that could explain what originally inspired me.
Finding light amidst darkness and chaos is a privilege I never take lightly.
Artbygordon 2019
This is a problem the artist often has with separating the ordinary from the extraordinary. We are bombarded with details and often a beautiful image of nature can be quite overwhelming to the viewer.
It is the artist’s job to separate light and shape from the background where the viewer is often left with a chaotic mass of line, form and color. The essence of beauty is often just simplification of the whole.
I have always been a landscape artist but often a flat afternoon light does not offer anything dramatic, this is why I have learned to not only see light but to isolate it and allow it to be the main focus in my photography and art.
As a painter, in the past, I was more impressed with the whole or the peripherals to evoke mood. Now I tend to see shapes and how light accentuates them creating drama.
Light becomes its own object in an artwork and much like you don’t paint water, you must paint that which interacts with the clarity of water, light is not easily defined, it is more it’s reaction with objects that is important.
Because of a growing passion for photography, I have learned more about seeing objects and painting objects. Much like writing teaches us how to think and explain our experience such is photography to the artist, it teaches us how to see and describe the intangible.
Yesterday I made a trip to Daingerfield Lake; it was a wonderful trip with my brother and nephew. Lately I miss the electric hour and either capture the sunset or afternoon light but we had two things, time and shared interest.
I haven’t enjoyed photographing quite like it, it’s amazing to share seeing with others, I love the solitude and introspection but having family to share that passion was an incredible experience for me.
The light as the sun dipped into the horizon created a spectacle on the landscape. The blues were cold and rich, the green reflections were charged with depth and intense green color.
Almost 400 photographs later, I was able to capture Lake Daingerfield in a way I’ve never seen it before. Usually we kayak and fish but this time it was solely a photography trip and a memorable one at that.
To complete the perfect trip, my son called from Oklahoma, although I wished he were with us, it was the next best thing. We will definitely get back for more photography and kayaking, it is truly a beautiful lake to visit.
Daingerfield State Park is 150 miles east of Dallas. Texas. It is a small intimate lake for kayaking and offer a wide variety of fishing opportunities including pickerel which is what we go for.
It is quiet and perfect for the get away from the city without feeling too far remote. For more information go to https://tpwd.texas.gov/state-parks/daingerfield
Rediscovering the Artist Eye: Diversions are Part of the Process
I just started a new painting about the night sky, just did a simple underpainting of trees in the front yard with a moon and star-filled sky.
The more I get back to painting, the more I find myself seeking a graphic element, simple and more abstract. In the past it was more about mood and peripherals and now it is about the shapes and how they interplay.
I’ve been admiring too much abstract images I guess. I’ve also been seeking how light interplays with objects in my photography, which seems to be a principle in the new/old series.
I am getting back to several images of water-they all were somewhat complete but I was never completely pleased with them. It is amazing to me how much an image literally plays itself out while you paint.
There is the first obstacle of pushing paint around, overcomplicating what you see and over-explaining a simple principle of light and shadow.
The droplets on the rose are perfect example of how it is not overcomplicated creating reflection and light-it is a very subtle, simple rendering that delivers the best image.
When the subconscious overrides the conscious and truly sees and renders simple the image as it is-this is when the hand and the brain tend to work independent of consciousness, the lines, forms and subtle detail seem to create themselves.
To show the progression of recent paintings, I need to go back to previous series. This is where the shape is becoming a bit more important than the feeling and depth of the water.
I feel like I am getting back to full circle, the paintings in the new series will have more detail in the water, more sharper contrasts of light and I will get back to the reason I loved the night sky and water.
The next post will be about the night sky with the newer images. I am excited about the new series and see my vision truly taking shape.
Back to the Canvas: Rediscovering water and the simple intricacies of light
Back to the Canvas- got back to the canvas yesterday and found my purpose for water. The problem with water or even capturing images realistically is seeing and capturing the basic element of the image.
To Truly See: Getting back to Details
After you’ve truly seen and conveyed the basic idea, the essence of water with temperature and depth, then you can stray from the reality of the colors and even the perspective.
Intention: What is the Basic Premise
It all depends on intention, my intention is always to see the depth and clarity of water first, after that I can express the place or time and I’ve succeeded in the whole reason I started painting water in the first place.
What has happened recently is a loss of conveying the details. Waterfalls end up looking like flows of hair or cotton and the water clarity and depth instead takes on a nondescript study of color.
The Shift: To Truly See
There is a point where I can push color back and forth without truly seeing but with any luck there is the shift, where the subconscious remembers what it knows.
This is what happened yesterday, suddenly the brush moves with little consciousness from the artist-it’s like all the forms and strokes are already there.
It is almost an out-of-body experience because the hand the brush, even the colors and the forms tend to paint themselves. I’ve experienced this with writing too and it is an amazing place that no artist wants to leave.
New Elements in Recent Works
I’m not sure if it’s because of shooting so much graphic photography but recently I have more intention on form and contrast of light. The actually scene is secondary to the relationship of the elements and the contrast of light.
There are many ways to show depth and perspective, this is just one more option and I’m really beginning to see a shift in my work overall as elements supersede or at least complement mood.
2019: A New Year
2019: A New Year – A new year, an unblemished calendar but what to do? How can I make 2019 a special, productive year?
The question definitely has to do with my readers but at the same time, I can’t deliver meaningful content unless I know what my readers and subscribers are wanting or even expecting.
I have decided to break my posts into specific columns so you will have an idea of what to expect and there will be a constant theme going through my content although varied as it might be.
I used to create the blog on Blogger and than share it with multiple network channels but I am trying to localize all the content through the website.
Here are a list of the upcoming posts and what I envision for the year.
The Artist’s Window: It’s how the artist sees the world, how we find light and what makes the ordinary extraordinary from an artist’s view.
Depression for the Layman: How to live with depression and tips and tools to live a good life despite the illness. I will be putting all the pieces into a book with other self-help books in the works.
From A Kayak: I’m trying to bring this back; it might be a view from a tree, a view from a platform-it’s just going to be different places in nature.
ArtbyGordon: New Series, new subject matter and my reactions and thoughts on art and being creative. Artbygordon and life creatively will merge into this catchall for living a creative lifestyle and breaking the boundaries of the expected.
Gardening: From the beginning to end of the garden and different aspects of life woven through a life filled with nature and gardening. On a practical note: all the winners and losers, maintaining order in a chaotic garden and other thoughts on life and creativity.
Travel and Writing: This will be the travel side of my blogging. I will highlight at least one place through each month-it could be reviews on food, venues, concerts-anything travel with a little bit of nature added in for color.
The Reluctant Military Dad: This is a new piece of the puzzle-it’s about being a single dad and letting go. It’s about my son in the military and the aspects of a dad watching his son become something great.
General parenting insights and topics about raising kids in today’s world-being a step dad to my oldest son and all I’ve learned on this journey of parenting.
The next thought, what my readers are wanting and what to add to the blog-I would love to hear what people would like to read about.
I am excited about 2019 and feel my brand and its scope is growing. Please be a part of the Artbygordon newsletter to get up to date news on series, appearances and latest writing and photography.
SPORTING ART: ORIGINAL OIL PAINTINGS AND PASTELS FROM A KAYAK
I am a kayaker, not the most agile one as you’ll see if you read the stories below. I love water, it’s what I paint and some of my best inspiration has been on the water in a kayak.
I enjoy painting the subtleties of water and how reflections change and become their own image while the depth beneath has it’s own intricacies.
This is what I love about painting water and why it has been a joy for me both through photography, oil painting, pastels on paper and writing.
These original paintings have already sold but I do commissions from photographs, etc. We can capture that moment and why you enjoy being out on the water, kayaking, surfing, etc.
Lake Texoma 2018
16×20 oil on canvas Lake Texoma 2018, from one of many trips to Lake Texoma.
This image of Lake Texoma was from a kayak-I enjoyed the colors and how you can see the bottom and the rich warm colors of the stones.
I am increasing my interest in finding light in the bleakest days. There is no time or place where the richness of light speaks to me than when it is unexpected.
Original oil on canvas-16×20 standard 1/4 inch thick canvas. for sale $600. Prints available on request.
Catamaran on Lake Ray Hubbard
Original oil painting of sail boat on Lake Ray Hubbard, 18×24 for sale-sporting art series-$900.00.
This painting is actually a remake from a pastel sketch from Sandy Hook New Jersey, I created this years earlier. I liked the orange and yellow and how it reacted with the cooler colors of the water.
This series of sailboats and water craft were a departure from previous more detailed work, I concentrated more on the colors and the movement of water as expressed with looser strokes.
The one thing that has never changed and will never change is my interest and passion for nature. It is my solace and keeps me grounded. I am planning on traveling much more in 2019.
Blog posts from kayaking trips.
I would usually be shooting this from the kayak but in this case, Read More
This is the first kayak trip of our road trip and at this point I am rethinking the whole idea. I can’t say it was wonderful.
Read More
The last time I kayaked was the first time in the Florida surf. I lost a rod, got dumped beneath a wave and remembered how awkward it can be when nature makes a fool out of you.
Read More
How fast time flies, a year of selling insurance, a new car, a year of building an art and writing business and here we are out on the water again. It’s been two years since I’ve been out on the water and I wish I could say it was smooth sailing.
Nature Photography: A Collection of Lepidotera
One reason for growing a wildlife garden: If you build it, they’ll come. And they are beautiful to watch in the garden.
All photographs are from my garden. It is amazing how you build a landscape and they come and use it. I have the whole life cycle in the garden. Next post I will show the birds that come to the garden when you don’t spray insecticides.
Artist on the Edge of Surreal: Exploring Darker Moments
My intention has always been to create art that was realistic and once I attained a certain skill level I would just tweak reality, just enough to make the viewer a little off kilter.
It probably stems from years of depression which, although is part of the creative process, also makes the person feel off center. The paintings that approach surreal are a bit more dark but nothing too obvious.
Moonflower is a painting of the morning glories, moon flowers, which only bloom at night. I wanted to share a bit of the darkness and mystery of evening but I wanted the flowers to have a bit of a magical feeling to them.
The willow tree is a tree from my youth. It makes it into most of my paintings and is a bit of a symbol of time spent in New Jersey. The dark green lawn in the summer beneath the shadows of tall dark willow trees.
The same trees were struck by lightning and ended up becoming outdoor furniture where many of my very old poems were written on copied on.
Blackbirds are a consistent subject in both my paintings and writing. They are mysterious as the night sky and symbolic of impending doom.
Halloween has always been a subject as every year I see a different feeling to capture. I love the dark evening and the idea of goblins in the trees, I have always been a big fan of horror movies and my uncle used to buy my brother and I horror comic books and the feeling and thrill of being scared has continued through my writing and painting.
Child of ten is a diary of sorts, my dad died when I was ten. This is a painting of the effects of losing a parent at the age of ten. There are many symbols including the egg which represents the soul. Again the blackbirds are in the field and the child watches the future unfold.
The death of my father was a catalyst for much of my earlier writing and has only recently shown up in paintings.
This painting is from a dream when I was very young. My grandfather came out of a willow tree as the lightning hit the tree. The red flannel shirt is from the dream and I remembered the shattered bits of wood-I am planning on another attempt at this painting as the face wasn’t quite correct.
Many older painting ideas are now resurfacing as I begin to gain more confidence. I plan on creating a more concise series on the surreal side.
