Nature hides its secrets, the artist must be patient, waiting for the riddle to show itself. Usually it is quite subtle and the quiet spectacle of light is gone almost as soon as it’s noticed.
Light is what the photographer seeks to describe, to find it in a way that it might not have been noticed or seen before.
This is a series of treasures no one would notice, but I find them quite beautiful. Nature has always inspired me.
Light through windows
Subtle for a moment and just as quickly gone
the true colors of leaves
are defined
and we see the extraordinary in the mundane
beauty in the ordinary.
Rich autumn colors come inside
bringing warmth to a silver
afternoon
I cling to color
as the landscape turns gold
than gray
watching the
last remnant of flame
fade
It’s sad to see its wings
useless
how many miles
had passed?
last winter it hung
trembling with
others of its kind
and it belonged
somewhere
in Mexico
waiting to make the trip
back
only to lay on the concrete
spent The final shaft of light
autum
the final stained glass
window
a remnant of spring
fading
Purple Passion vine illustration using Adobe Illustrator
I have been illustrating in Adobe Illustrator for many years and after a many parts and end equipment I thought it was time to expand my subject matter. How I actually started working in the high-tech industry doing technical drawings and the occasional illustration was by showing an image of a green tree frog to a potential employer. It was the first attempt at illustrating using a PC-the program was Arts and Letters Jurassic Arts and the tools were basic at best.
Illustration with Multiple Software Applications
I have since worked in Micrografix Designer, Corel Draw even freehand and finally the standard adobe products-Illustrator and Photoshop. After writing about the life of a goldfish I decided to illustrate the image instead of using a photograph and what follows is how I approach illustrating in Illustrator.
Shape
My first and most basic process is just getting the shape and basic colors and tones down. This is the fastest part of the illustration. I will usually follow the lines of color and shadow and create layers of light that cover up layers of shadow.
Image 1-basic form
Color and Detail
After I feel the overall form is correct I will layer the colors again almost like the rings of a tree-you overlap each color with the form that overlaps it. You will notice every change and try to process it as if there were multiple layers of shapes that make the final form. I try to use as little gradients as they can tend to be contrived-if I do use them they need to be very subtle.
The second figure shows a minimal change from the first. Basic overlaying of colors that allow the background to show through and adds depth to the illustration. Detail is not as important at this point as there will be overlying of details and softening of edges after this stage.
Image 2-overlays of colors-layering for effect
The third step is where all the details begin taking shape. Again hard edges are overlapped
with lighter softer edges. At this stage I need to realize the overall texture and the best
way to create a subtle dimensional feel to the image.
Image 3-overlaying two
Details
By the third step the most intricate color and details become the major focus. I start cleaning up the basic shape and making sure all the proportions are right. The lines and detail is severe at this point because with the next step I will use the brush to merge the shapes to form a subtle more photographic image.
Brush Strokes
The final step is actually using brush strokes to overlap the hard edges of the previous step. Light and shadow overlay the original details and blocks of colors with varying degrees of opacity allows for more subtle effects.
Final step before creating background
After finalizing the details and colors of the fish I create a background. I don’t want much detail in the background so brush work and simple heavily feathered images create a backdrop that strives to not fight with the image of the goldfish.
Finished product using Adobe Illustrator
This was a previous post from blogger and I though with the new illustrations for R.L. Claytons’ first children’s book Penelope the Pooting Spider-I thought it was appropriate to share the article on techniques for illustrating with Adobe Illustrator.
We started with the cover and the interior was a watermarked version of the cover with characters highlighted on each page.
I added illustrated versions of the animals from illustrator but the cat and the field was created by hand with pastels. I then photographed and adjusted for color and texture.
I love gardening, something I’ve been writing about for quite a while. It is the act of dissolving into the silence and intricacies of nature.
Every bud and seedling is a glimmer of hope. I enjoy tending the soil, being active and watching this natural work of sorts become its own.
The garden starts out with seeds and a general idea and from there it becomes what it will be. I used to be a lot less enthusiastic about the summer garden than the spring garden.
The spring would come with ideas and grand hopes for wildlife and a garden I could photograph but once the summer heat kicked in, the garden would go its own way.
All of the weeding and planting would turn into a garden of brown shrivelled up leaves. I think depression has a big thing to do with it as well, all intent and excitement dies with its crippling effects.
This year is different. I’m looking at raising milkweed to sell, yes a weed but the only hope for future monarch butterflies. I am collecting passionvine and dutchmans’ pipe as well and with the addition to the family of a dog named Ranger, suddenly I am outside even in the heat, still plucking weeds, still planting.
It’s amazing how a puppy can take you out of yourself. It’s not about you, it’s about him and the garden is better because of it. As he chews on sticks and rocks, I continue to weed, water and protect.
I’m not sure how long this will last, but I’m excited to see the garden become its own even after the second hottest May. I hope you enjoy a bit of a walk through my garden.
Every visit to the Blackland Prairie Raptor Center in Lucas, Texas is a chance to learn more about raptors and the Blackland Prairie. What always strikes me is the fact that young children already know about terms like diurnal and nocturnal and are interested in learning more about the birds.
Milkweed plants for Monarch – I have always been a lover of nature and wildlife gardening seemed
a natural connection to my writing, photography and painting. If you
build a wildlife friendly garden, they will find you.
My garden has been the subject matter for many photography posts, art and writing. There are several species of plants you need to have
in your garden and the fact that they are native will make your garden almost care-free.
You need to feed the adult birds, allow spaces for birds to
hunt for food without chemicals, raise their families and drink.
You need to feed the caterpillar young and have a place for the adults to feed on nectar, again no chemicals.
The first plant you need to have to help the monarch butterfly
population rebound is milkweed. There are all different species but try to stick with the native species.
Another plant that is available more than the native species is mexican milkweed, also known as blood flower. It’s a tall plant that can reseed and it feeds the young of the monarch.
For the adults, they love Frostweed and Zinnias. Both of these plants will attract them to your garden and you will not need to do much to keep these plants wild. Zinnias actually will grow well from seed and frostweed will reseed itself and feed many other species of nectar loving butterflies.
Naturally Graphic – Images are available on Fine Art America. Working on adding to a large inventory of abstract nature images that will be available soon.
Milkweed plant abstract print available on Fine Art AmericaRed Photinia Abstract print available on Fine Art America
Artbygordon: Original oils on canvas, Original pastels on paper celebrating the beauty and mystery of nature. Water and night skies are my specialties.
The final shaft of light
