It’s almost like a stain-glassed window as the light filters through spring leaves. I have been watching this for many seasons and have had the idea on my easel for many years now.
I was interested in the richness of fading afternoon sun. I love the shadows of blues and greens reflecting a coolness in the midst of an ending day. This is the third in an upcoming series of paintings coming off the easel. Stay tuned.
I finally got a chance to paint. It was a stormy afternoon as you can see from the remnants of a swollen stream in the distance.
I got more information and sketched more on a trip to Hagerman where there are always hawks patrolling each fence row. There are a lot of red tailed hawks and I consider them the watchmen of the meadows and fields.
Oil on Canvas 2018 ArtbyGordon
New Painting Series – This painting was inspired by a ride in East Texas. I liked the grouping
of the drakes and the females looking on. It was a quick snapshot that turned into a long process of capturing a cool autumn day.
Since I started the painting, there have been many starts and stops. I have also had several times studying mallards at a local park to get the personality and eyes right on the males.
I aim to capture that relationship between characters in nature. When I go and study the ducks, they always know I’m there, they just keep their comfortable distance.
I was also aiming for the dark colors of autumn but the warmth of light on the reeds and the shiny green heads of the males. This is the first in the series, tomorrow I will have another I just finished: A hawk from a fence near Hagerman Wildlife Refuge.
Fear of the Canvas – I’ve just realized why I have been avoiding painting recently, not really avoiding it but just having a harder time settling down. Many of the works have been in progress for quite a while so getting back to them is often like picking up a strangers painting.
The amazing point is when suddenly you stop thinking about what you need to do and just start slashing at the canvas with purpose. There are unseen shapes and connections of shapes that come out of the surface of the paint and you fill in the blanks instinctively.
A stumbling block is the fear, especially when you like what you’ve started but there is no room for timid strokes in painting or anything else creative. Once you stop and think or attempt the safe way you might as well save painting for later.
Painting should be bold, excited and even a bit reckless. My thought is every painting is a potential mistake that will never see the light of day. This is the time you learn the most, when you are free to forcefully and confidently paint without fear of failure.
One particular technique that takes a lot of time going back and forth is the light on water, it starts out overly dramatic and slowly becomes more realistic. There are points where the light seems right, others when there seems to be a bump in the horizon and you have confidently fix the problems and continue to focus while you see the image you’ve been working on go from good to worse to good again.
Another aspect is painting objects, straight lines and architecture, something that often needs to be reworked and perfected. You are happy with the background and suddenly you’ve just destroyed it with the object that you overlapped-often the background needs to be reworked with the object as you work to perfect both.
I am excited about the process and while I continue to get bits of time to paint, I am adding to an already large painting list. Let me know what you think of the new images.
Painting Deliberately – There are so many different feelings when you paint, sometimes it’s pushing paint around, sometimes it’s deliberate, even mechanical and sometimes it’s instinctual, tonight’s sitting was a little bit of all of them.
I started with an under painting and it was one of the more deliberate paintings I’ve started, unfortunately I didn’t have the full picture, just an idea of clouds moving forward over the viewers head. The actual image is from real life, I have photographs for reference but I’m not completely sure where the clouds end and what the landscape looks like.
I painted the background with perspective lines, every form, every color and every space will be designed with the idea of perspective and I want the viewer to feel overwhelmed by the clouds overhead.
As I tend to do, I switched gears after finishing a monochromatic under painting I turned to the painting of a scene from beneath Shark River Inlet in Belmar New Jersey. This painting was inspired thirty plus years ago and it still stood clear.
I painted with a clear feeling of purpose but as suddenly as it began it ends and I wasn’t sure if I was done with the painting or should start all over. The problem is the idea and image is strong but the recollection is so hard to bring back to mind. I will continue to study it until I know it’s either done or time to start over.
Another thing about painting, sometimes you feel like you’ve created your best work and sometimes the same painting looks like a mistake. I got back to the grackles above the city, an image that I started at the end of the last series, again I had that feeling of instinct kick in and for thirty minutes or so I painted like I figured out the problem.
None of the paintings are finished but I feel like I’m shaking off the stagnation and getting in the process. The most exciting thing about painting instinctual is that images appear that you didn’t necessarily know you were creating they just come out of the details you’ve worked in feverishly.
I’m excited about this series and feel it will be a huge step toward my future painting style and feel.
Stay tuned, more paintings coming very soon.
Back to the Artists Studio – Last night I finally started painting again. The excitement and inspiration spilled over into the next day. It is a liberating feeling after being stifled for so long and suddenly it all makes sense.
I think the only negative is that suddenly there are more ideas, images and concepts than I can get done in the time available. This is when my lists get overwhelming.
I first started on the third in a series of swallow paintings. The work is smaller than the two previous but more detailed, with a larger population of swallows than the previous paintings.
The name of the work is the celebration, it is a scene from a local bridge in Rowlett after the spring rain. I saw a swarm of swallows that surrounded the bridge and flew under and around the structure. There was a feeling of excitement; nature in celebration, the drought was finally over.
The second painting I work on was a brand new painting called calvary The last time I went to church, I had an amazing image of calvary surrounded by stained glass. This is going to be one of my most colorful paintings and it is a bit of a departure from previous works.
I’m very excited about finally getting back to work and I can’t wait to see the new views as they become real.
Learning to Social – Back to the original post, it takes time. There are shortcuts to find and retaining clients but there are no shortcuts to knowing them. You can’t fake relationship with a potential client, you must be there for them as they are for you.
I speak with the metaphor of a gardener and being one, it seems appropriate. Disperse seeds, don’t expect a quick pay out but realize why you are in the business in the first place, do you care about your customers?
If you don’t care about them, they will quickly not care about you and your product. I believe in laying the future, getting to know people, having more people realize you may something they need and living life with a passion that pays when others endeavors don’t
In the end, I have no doubt that I will reap the benefits of the broad garden of pictures, thoughts and ideas which will one day be book covers, stories in e-books and paintings on walls, it just takes time, did I mention it takes a lot of time.
You just need to use your time wisely. Do what you love and do it well and often and share it with as many people who care about what you are selling, the rewards will come much like the garden that grows from the seeds you planted in the spring, and it will be beautiful.
Artwork Analysis – On a weekly basis I will chose a painting that has gotten some attention and explain the process in which it was created. Most of my paintings are actual images that I envision-the colors, the theme and the basic location. All elements are added from different places around a general area, a main focus is set which captures the overall mood and the peripheral elements add the overall texture and assist in strengthening the main focus of the final image.
I am amazed by water, the reflections, the clarity and the sound. I visited the Cascades in New Hampshire and I was hooked. The Cascade images I’ve included are of some of the seven or so waterfalls I followed all the way to the top of a mountain. I have a need for the viewer to feel the coldness of the water that’s why the images are darker and the brighter colors play off the dark blues. I want you to be able to see the rocks beneath the water and feel like you can walk in. These waterfalls were all done during a darker phase in my painting, I have since gotten a much more vibrant palette. While I was painting this series I was surrounded by waterfalls as I built them in my studio-I had several waterfalls in tanks so the sound was always around as I painted.
I use photographs to get a basic feel for the image but all images were created from careful observations of water, both on the site of the waterfalls or in similar areas locally. I study the light and why each area of the water looks the way it looks. I have narrowed the idea down to a basic full mirror of the sky and remaining images, that mirror is than broken by the movement of the water and the play and direction of the light. All the colors are affected by the angle of the sun and the distance from the viewer. I have many notes on all different aspects of water that allow me to create water that looks like it’s moving and looks like it is transparent. In the future I plan on painting more paintings using multiple layering as opposed to the wet on wet I have employed in the past.
My next blog will be on teaching art. I have recently taught a class on painting and it has changed the way I paint because it forces the teacher to see painting differently and verbalize what is usually an instinctual process.
