My latest series of projects have been finding rich colors and textures from ordinary objects. When viewed in a different light and in a unique setting, even ordinary fruit takes on a new and more attractive presence.
I found them at the weathered gate, rich green algae on an old broken down fence. These are all whispers of a summer past and I realize the gardener is only an introduction of seed to soil, the wind and rain are the catalysts, each bird a possible carrier of a new seed and every weed a new battle for supremacy.
I have always been a lover of nature and wildlife gardening seemed
a natural connection to my writing, photography and painting. If you
build a wildlife friendly garden, they will find you.
My garden has been the subject matter for many photography posts, art and writing. There are several species of plants you need to have
in your garden and the fact that they are native will make your garden almost care-free.
You need to feed the adult birds, allow spaces for birds to
hunt for food without chemicals, raise their families and drink.
You need to feed the caterpillar young and have a place for the adults to feed on nectar, again no chemicals.
The first plant you need to have to help the monarch butterfly
population rebound is milkweed. There are all different species but try to stick with the native species.
For the adults, they love Frostweed and Zinnias. Both of these plants will attract them to your garden and you will not need to do much to keep these plants wild. Zinnias actually will grow well from seed and frostweed will reseed itself and feed many other species of nectar loving butterflies.
I set up fruit for a still life and it’s been sitting on a table for the last week and nothing has happened. There is a distinct difference between being inspired and just not shooting. After a bit of a break and getting back to being present in the moment, See Wichita post, suddenly the images made themselves known.
It is seeing the way light paints objects that drive my creative response. It’s how the background blends and fades into varying colors that are ethereal and muted. I felt like these images were what I was searching for, why I went and bought blood oranges and pomegranate.
Suddenly with a bit of creative magic, the mundane suddenly shows itself and there is a brief moment where the artist finds the beauty and excitement in the everyday.
As quickly as I set up one shot, another quality of light made it known and suddenly one shot turns into multiple images. I am planning on adding these images to the artwork for home decor, just abstract enough to be interesting and yet I hope there is a sense of place in the images. Please feel free to let me know what you think and as always, thank you.
A sunset on Mount Scott as I rushed to capture the last bit of light.
The Wichita Mountain Wildlife Refuge is an amazing prairie with sweeping buttes, free range longhorns and bison and many small brilliant blue lakes.
I can’t say enough about the feeling of being away from everything. There are prairie dogs in open fields and meadowlarks in bright yellow flocks rising and falling in rich brown fields of native grasses.
I would also recommend the blue hole for a rugged hike surrounded by waterfalls and deep gorges. There is a holy city and a great network of trails that go all through the park.
To create when nothing inspires is where discipline comes in. You are forced to see beyond a gray winter day and seek light when there is none available and I believe that is the fuel that feeds creativity when the muse doesn’t show.
I have also been in a situation where the scenery was so breathtaking you couldn’t do it justice even if you tried. I was in Glacier National Park and between altitude sickness and a feeling of being overwhelmed, it was hard to shoot something that was truly remarkable.
There is a great space where you need to work a bit harder to see beyond what is obvious and yet the light is perfect, this is the sweet spot and what follows is a landscape where the creative thrives.
I love the patterns in nature. As an artist, finding a unique perspective that can show a viewer something they might not have seen before is a large part of my artistic intent.
I have always painted landscapes and seascapes but I could never perfect what is already real. I am competing with the greatest artist of them all: God. All I can hope for is to show the viewer an aspect of that image that moved me and perhaps move the viewer with the same or varied feeling.
As I have been photographing more regularly, I have found the need to see deeper than just the landscape. Especially when the light does not cooperate with the subject or doesn’t show up at all.
I learned to isolate parts of nature when my desire to photograph didn’t lend itself to the light of the day. On a gray winter day, when there is nothing but flat, bland light and no objects are discernible by any effective modeling, I have discovered a new way of seeing the landscape.
I started seeing how images were painted by stray bits of light. Suddenly instead of a bland landscape, I was able to find just a piece of that landscape that could be a graphic object. I don’t even care if the final image is discernible, it is more the aspect of its abstract nature that intrigues me.
I have started gathering autumn leaves, green leaves and patterns in water, in the past I would have struggled to find something in abstract but now the image jumps out at me. It’s a muscle and to strengthen this way of seeing the landscape has changed my whole outlook on contemporary art.
I believe that bringing nature into the house can evoke a calm center as well as a conversation piece for visitors. I like how without representing a specific subject, the image evokes something without trying too hard to be abstract or artsy. I have found my way to the abstract and contemporary subject.
Interiors are from Adobe Stock-Photographic art Artbygordon
I got lost in the long flowing stalks of bluestem grasses, the great blue sky looming above where hawks dance in slow spirals. I sat on the cold, moist ground and listened to what it might have been like when bison and Indians roamed the backland prairie.
The clouds drifted with a calm indifference, the wind breathed and than exhaled followed by a ritual silence. Meadowlarks flew in patterns from fences and crows called out breaking the stillness, it is like going back in time.
I guess the fact that the winter chill that settled in my spine and slapped my exposed skin with pins and needles would be a good incentive not to go to the prairie. I assume that’s why both times I’ve gone there has been no one there but I consider it my oasis of silence.
I am comfortable sitting on the cold ground. My breath is still, my senses charged with the sounds as I try not to miss anything. I can hear cattle in the background and even a truck in the far distance but for the most part all is consumed with the rush of the wind through the grasses.
All that moves is the grasses, swaying back and forth as if haunted and the clouds marching passively across the plane, I am in awe of the silence and calm.
I have been dwarfed by mountains, the ocean but never by a huge open field. I have images of our history and it’s inhabitants that made a life out here and imagine the distant cows that cry out now were probably the sounds of wagon trains and troops of coyotes, maybe even the bison.
The coyotes are still here, I see their tracks and scat but the bison are long gone. There hawks of all kinds, the red tail, the kestrels and the prairie falcon, their mood is pensive with a mission. They rise and fall in the golden field as it should be.
I learned about this place from a trail guide at the Blackland Prairie Raptor Center and I have been back twice. Yet another great place I learned about from the Blackland Prairie Raptor center, great people and wonderful birds with lots of knowledge, if you haven’t gotten a chance to go on the first Saturday of the month, I would highly suggest going.
I’ve just realized why I have been avoiding painting recently, not really avoiding it but just having a harder time settling down. Many of the works have been in progress for quite a while so getting back to them is often like picking up a strangers painting.
The amazing point is when suddenly you stop thinking about what you need to do and just start slashing at the canvas with purpose. There are unseen shapes and connections of shapes that come out of the surface of the paint and you fill in the blanks instinctively.
A stumbling block is the fear, especially when you like what you’ve started but there is no room for timid strokes in painting or anything else creative. Once you stop and think or attempt the safe way you might as well save painting for later.
Painting should be bold, excited and even a bit reckless. My thought is every painting is a potential mistake that will never see the light of day. This is the time you learn the most, when you are free to forcefully and confidently paint without fear of failure.
One particular technique that takes a lot of time going back and forth is the light on water, it starts out overly dramatic and slowly becomes more realistic. There are points where the light seems right, others when there seems to be a bump in the horizon and you have confidently fix the problems and continue to focus while you see the image you’ve been working on go from good to worse to good again.
Another aspect is painting objects, straight lines and architecture, something that often needs to be reworked and perfected. You are happy with the background and suddenly you’ve just destroyed it with the object that you overlapped-often the background needs to be reworked with the object as you work to perfect both.
I am excited about the process and while I continue to get bits of time to paint, I am adding to an already large painting list. Let me know what you think of the new images.
Last night I finally started painting again. The excitement and inspiration spilled over into the next day. It is a liberating feeling after being stifled for so long and suddenly it all makes sense.
I think the only negative is that suddenly there are more ideas, images and concepts than I can get done in the time available. This is when my lists get overwhelming.
I first started on the third in a series of swallow paintings. The work is smaller than the two previous but more detailed, with a larger population of swallows than the previous paintings.
The name of the work is the celebration, it is a scene from a local bridge in Rowlett after the spring rain. I saw a swarm of swallows that surrounded the bridge and flew under and around the structure. There was a feeling of excitement; nature in celebration, the drought was finally over.
The second painting I work on was a brand new painting called calvary The last time I went to church, I had an amazing image of calvary surrounded by stained glass. This is going to be one of my most colorful paintings and it is a bit of a departure from previous works.
I’m very excited about finally getting back to work and I can’t wait to see the new views as they become real.
Artbygordon: Original oils on canvas, Original pastels on paper celebrating the beauty and mystery of nature. Water and night skies are my specialties.